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Sophie Scholl: The Final Days (2005)

Sophie Scholl - Die letzten Tage (original title)
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A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.

Director:

Marc Rothemund
Nominated for 1 Oscar. Another 22 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julia Jentsch ... Sophie Scholl
Alexander Held Alexander Held ... Robert Mohr
Fabian Hinrichs Fabian Hinrichs ... Hans Scholl
Johanna Gastdorf ... Else Gebel
André Hennicke ... Roland Freisler
Florian Stetter ... Christoph Probst
Maximilian Brückner ... Willi Graf
Johannes Suhm ... Alexander Schmorell
Lilli Jung Lilli Jung ... Gisela Schertling
Klaus Händl Klaus Händl ... Lohner
Petra Kelling Petra Kelling ... Magdalena Scholl
Jörg Hube Jörg Hube ... Robert Scholl
Franz Staber Franz Staber ... Werner Scholl
Maria Hofstätter Maria Hofstätter ... Wärterin
Wolfgang Pregler Wolfgang Pregler ... Jakob Schmid
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Storyline

The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by Diaboyos

Plot Summary | Plot Synopsis

Taglines:

In 1943, one young woman stood up to the Nazis, her courage made her a legend, this is her story . . . See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

24 February 2005 (Germany) See more »

Also Known As:

Sophie Scholl: The Final Days See more »

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Box Office

Opening Weekend:

$701,656 (Germany), 4 March 2005

Opening Weekend USA:

$21,795, 19 February 2006, Limited Release

Gross USA:

$676,167, 13 August 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This film's final afterword states: "Thanks to Helmut von Moltke, the 6th leaflet of the White Rose was taken to England vis Scandinavia. In mid-1943, millions of copies were dropped by Allied planes over Germany. They now bore the title: 'A German Leaflet, Manifesto of the Students of Munich'." See more »

Goofs

During his interrogation at trial, Hans Scholl defiantly states that he has served on the Eastern Front and that Judge Roland Freisler has not. Freisler then appears to be taken aback and momentarily silent. In actuality, Freisler was a veteran of the Eastern Front during World War I, saw significant combat, and was wounded and captured. Thus, his demeanor at Hans' statement is somewhat odd. See more »

Quotes

Pfarrer Dr. Alt: [giving Sophie a last blessing] May God the Father bless you, who created you in His image. May God the Son bless you, whose suffering and death redeems you. May God the Holy Spirit bless you, who leads you to his temple and hallows you. May the Trinity judge you with mercy, and grant you eternal life. Amen.
[the guard arrives for Sophie. Sophie stands up]
Pfarrer Dr. Alt: No one loves more than one who dies for friends.
See more »

Connections

Referenced in (500) Days of Summer (2009) See more »

Soundtracks

I'm Making Believe
Written by Mack Gordon and James V. Monaco
Performed by Ella Fitzgerald
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User Reviews

 
Not just a historical reconstruction
1 May 2005 | by Stanislas LefortSee all my reviews

The story of one of the rare opposition movements in Germany during World War II, entitled The White Rose. The story traces the last days of Sophie Scholl, whose moral stature and courage are admirably brought to life. As far as the script, I'll remember more than anything the extraordinarily intelligent dialog between the main character and the policeman interrogating her. This film isn't just a historical reconstruction; it's also a plea against the fanaticism and right-wing extremism against which not only German-speaking countries have to fight. In this sense, this short episode (four days) about life in Munich in February 1943 takes on a universal dimension.


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