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Sophie Scholl: The Final Days (2005)

Sophie Scholl - Die letzten Tage (original title)
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A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.

Director:

Marc Rothemund
Nominated for 1 Oscar. Another 22 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julia Jentsch ... Sophie Scholl
Alexander Held Alexander Held ... Robert Mohr
Fabian Hinrichs Fabian Hinrichs ... Hans Scholl
Johanna Gastdorf ... Else Gebel
André Hennicke ... Roland Freisler
Florian Stetter ... Christoph Probst
Maximilian Brückner ... Willi Graf
Johannes Suhm ... Alexander Schmorell
Lilli Jung Lilli Jung ... Gisela Schertling
Klaus Händl Klaus Händl ... Lohner
Petra Kelling Petra Kelling ... Magdalena Scholl
Jörg Hube Jörg Hube ... Robert Scholl
Franz Staber Franz Staber ... Werner Scholl
Maria Hofstätter Maria Hofstätter ... Wärterin
Wolfgang Pregler Wolfgang Pregler ... Jakob Schmid
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Storyline

The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by Diaboyos

Plot Summary | Plot Synopsis

Taglines:

The true story of a young woman who did what few in Nazi Germany dared even think! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

24 February 2005 (Germany) See more »

Also Known As:

Sophie Scholl: The Final Days See more »

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Box Office

Opening Weekend:

$701,656 (Germany), 4 March 2005

Opening Weekend USA:

$21,795, 19 February 2006, Limited Release

Gross USA:

$676,167, 13 August 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film was shot in chronological order. See more »

Goofs

When Sophie goes to the bathroom at the police station, a boom mic is reflected in the mirror above the wash basin See more »

Quotes

Robert Scholl: There is a higher justice!
See more »

Connections

Referenced in The Making of 'Sophie Scholl - Die letzten Tage' (2005) See more »

Soundtracks

I'm Making Believe
Written by Mack Gordon and James V. Monaco
Performed by Ella Fitzgerald
See more »

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User Reviews

 
Dramatic Reconstruction of Historical Events
18 May 2005 | by coyetsSee all my reviews

This film is not about the „Weisse Rose" (White Rose) resistance group, nor is it about Sophie Scholl. It sticks very closely to its title, and only deals with the last days of Sophie Scholl. Having staked out such a narrow subject, Marc Rothemund is able to narrate the story in great detail. This allows the use of pauses in the dialogue which add to the credibility and drama. I read the official version of the interrogation before seeing the film, and felt that a very good effort had been made to reconstruct what may have actually happened. I also felt that the atmosphere which the film conveyed to be entirely plausible for that time, which I am not old enough to have lived through. For instance, the characters always seemed to be holding back, and not opening their feelings to each other.

Because the official version of the interrogation was dictated by Robert Mohr, it is certain to contain many gaps, such as the lines of questioning before reaching Sophie Scholl's quoted replies. The film may have tended to be too dramatic in filling those gaps. It was surely too dramatic in showing so many chance encounters in the various corridors. Perhaps this tendency to over-dramatise was necessary to present the otherwise rather dry historical events. At least the final result was almost believable, in contrast to many films about the past, and it was an improvement on earlier films covering the White Rose, simply because so much more has come to light since they were made.

This is one of the best dramatic reconstructions of historical events that I have seen.


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