7.6/10
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105 user 133 critic

Sophie Scholl: The Final Days (2005)

Sophie Scholl - Die letzten Tage (original title)
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A dramatization of the final days of Sophie Scholl, one of the most famous members of the German World War II anti-Nazi resistance movement, The White Rose.

Director:

Marc Rothemund
Nominated for 1 Oscar. Another 22 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julia Jentsch ... Sophie Scholl
Alexander Held Alexander Held ... Robert Mohr
Fabian Hinrichs Fabian Hinrichs ... Hans Scholl
Johanna Gastdorf ... Else Gebel
André Hennicke ... Roland Freisler
Florian Stetter ... Christoph Probst
Maximilian Brückner ... Willi Graf
Johannes Suhm ... Alexander Schmorell
Lilli Jung Lilli Jung ... Gisela Schertling
Klaus Händl Klaus Händl ... Lohner
Petra Kelling Petra Kelling ... Magdalena Scholl
Jörg Hube Jörg Hube ... Robert Scholl
Franz Staber Franz Staber ... Werner Scholl
Maria Hofstätter Maria Hofstätter ... Wärterin
Wolfgang Pregler Wolfgang Pregler ... Jakob Schmid
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Storyline

The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless. Written by Diaboyos

Plot Summary | Plot Synopsis

Taglines:

In 1943, one young woman stood up to the Nazis, her courage made her a legend, this is her story . . . See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

24 February 2005 (Germany) See more »

Also Known As:

Sophie Scholl: The Final Days See more »

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Box Office

Opening Weekend:

$701,656 (Germany), 4 March 2005

Opening Weekend USA:

$21,795, 19 February 2006, Limited Release

Gross USA:

$676,167, 13 August 2006
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The execution scene was, ironically, shot in a morgue. "It was a shock, especially the smell," recalls Julia Jentsch. "I'd never smelled that before. I was very uncomfortable. But the team is there, and someone eats a sandwich... It's grotesque." See more »

Goofs

When Sophie goes to the bathroom at the police station, a boom mic is reflected in the mirror above the wash basin See more »

Quotes

Richter Dr. Roland Freisler: In the name of the German people, in the criminal case against Hans Fritz Scholl from Munich, Sophia Magdalena Scholl from Munich, and Christoph Hermann Probst from Aldrans, the people's court has reached a verdict following court proceedings on 22 February, 1943: The defendants published leaflets at a time of war, calling for people to sabotage armaments, and to overthrow our people's National Socialist way of life. They propagated defeatist ideas and visciously insulted the Fuhrer. By so ...
[...]
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Connections

Referenced in The Making of 'Sophie Scholl - Die letzten Tage' (2005) See more »

Soundtracks

I'm Making Believe
Written by Mack Gordon and James V. Monaco
Performed by Ella Fitzgerald
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User Reviews

 
Not just a historical reconstruction
1 May 2005 | by Stanislas LefortSee all my reviews

The story of one of the rare opposition movements in Germany during World War II, entitled The White Rose. The story traces the last days of Sophie Scholl, whose moral stature and courage are admirably brought to life. As far as the script, I'll remember more than anything the extraordinarily intelligent dialog between the main character and the policeman interrogating her. This film isn't just a historical reconstruction; it's also a plea against the fanaticism and right-wing extremism against which not only German-speaking countries have to fight. In this sense, this short episode (four days) about life in Munich in February 1943 takes on a universal dimension.


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