The Final Days is the true story of Germany's most famous anti-Nazi heroine brought to life. Sophie Scholl is the fearless activist of the underground student resistance group, The White Rose. Using historical records of her incarceration, the film re-creates the last six days of Sophie Scholl's life: a journey from arrest to interrogation, trial and sentence in 1943 Munich. Unwavering in her convictions and loyalty to her comrades, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility that is both haunting and timeless.Written by
The execution scene was, ironically, shot in a morgue. "It was a shock, especially the smell," recalls Julia Jentsch. "I'd never smelled that before. I was very uncomfortable. But the team is there, and someone eats a sandwich... It's grotesque." See more »
When Sophie goes to the bathroom at the police station, a boom mic is reflected in the mirror above the wash basin See more »
Richter Dr. Roland Freisler:
In the name of the German people, in the criminal case against Hans Fritz Scholl from Munich, Sophia Magdalena Scholl from Munich, and Christoph Hermann Probst from Aldrans, the people's court has reached a verdict following court proceedings on 22 February, 1943: The defendants published leaflets at a time of war, calling for people to sabotage armaments, and to overthrow our people's National Socialist way of life. They propagated defeatist ideas and visciously insulted the Fuhrer. By so ...
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The story of one of the rare opposition movements in Germany during World War II, entitled The White Rose. The story traces the last days of Sophie Scholl, whose moral stature and courage are admirably brought to life. As far as the script, I'll remember more than anything the extraordinarily intelligent dialog between the main character and the policeman interrogating her. This film isn't just a historical reconstruction; it's also a plea against the fanaticism and right-wing extremism against which not only German-speaking countries have to fight. In this sense, this short episode (four days) about life in Munich in February 1943 takes on a universal dimension.
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