Directed by
| David Schwimmer | ||
Writing Credits
| Michael Ian Black | ... | (screenplay) & |
| Simon Pegg | ... | (screenplay) |
| Michael Ian Black | ... | (story) |
Cast (in credits order) verified as complete
Produced by
| Martha Coleman | ... | executive producer |
| Sarah Curtis | ... | producer |
| Alexa L. Fogel | ... | executive producer |
| Camela Galano | ... | executive producer |
| Nigel Green | ... | executive producer |
| Joseph Infantolino | ... | executive producer |
| Robert Jones | ... | producer |
| Cathy Lord | ... | line producer |
| Rolf Mittweg | ... | executive producer |
Music by
| Alex Wurman | ||
Cinematography by
| Richard Greatrex | ... | director of photography |
Editing by
| Michael Parker | ||
Casting By
| Michelle Guish | ||
Production Design by
| Sophie Becher | ||
Art Direction by
| Julia Castle | ||
Set Decoration by
| Kay McGlone | ||
Costume Design by
| Annie Hardinge | ||
Makeup Department
| Candice Banks | ... | additional makeup artist |
| Carol Robinson | ... | wig maker |
| Jan Sewell | ... | hair stylist: Thandie Newton / makeup artist: Thandie Newton |
| Jane Walker | ... | hair designer / makeup designer |
Production Management
| Finlay Bradbury | ... | unit manager (as Finlay Pile) |
| Polly Duval | ... | post-production supervisor |
| Lolli Kimpton | ... | production manager |
Second Unit Director or Assistant Director
| Oscar Beuselinck | ... | second assistant director |
| Paul Butterworth | ... | third assistant director: daycall |
| Melanie Dicks | ... | first assistant director |
| Lucy Egerton | ... | third assistant director |
| Henry Forsyth | ... | third assistant director: additional photography |
| Ian Hughes | ... | daily crowd assistant director |
| Andrew McEwan | ... | second assistant director: additional photography |
| Emily Perowne | ... | assistant director: reshoots |
| George Taylor | ... | floor assistant director |
| Charlie Watson | ... | first assistant director: additional photography |
Art Department
| Neil Barnes | ... | props |
| Tina Charad | ... | art director: re-shoots |
| James Husbands | ... | storyboard artist |
| Graham Mitchell | ... | carpenter |
| Antony Parnell | ... | props |
| Steve Parnell | ... | property master |
| Anastasia Portas | ... | trainee: art department |
| Amandeep Rahi | ... | assistant set decorator |
| Stuart Sinclair | ... | standby painter |
| Lucienne Suren | ... | stand-by art director |
| Jeff Woodbridge | ... | stand-by carpenter |
Sound Department
| Ricky Butt | ... | foley artist |
| Craig Butters | ... | additional sound effects editor |
| Lee Crichlow | ... | additional sound effects editor |
| Alistair Crocker | ... | production sound mixer |
| Robert Edwards | ... | adr recordist |
| Chris Gurney | ... | sound recordist: second unit |
| Paul Hamblin | ... | re-recording mixer |
| James Harbour | ... | sound maintenance |
| Stuart Hilliker | ... | re-recording mixer (as Stu Hilliker) |
| Steve Little | ... | dialogue editor |
| Michael Miller | ... | adr mixer |
| Rob Saunders | ... | sound trainee |
| Alexandros Sidiropoulos | ... | adr recordist |
| Chris Sturmer | ... | sound consultant: dolby |
| Andy Thompson | ... | adr mixer |
| Victoria Thorn | ... | foley editor |
| Lee Walpole | ... | supervising sound editor |
Special Effects by
| John Jones | ... | prosthetic mold maker (uncredited) |
Visual Effects by
| Phil Ashton | ... | imaging supervisor |
| Phil Attfield | ... | creative supervisor: Men from Mars |
| Emilios Avraam | ... | junior digital artist |
| Kevin Baguley | ... | digital operator |
| Paul Beard | ... | visual effects line producer |
| Gary J. Brown | ... | digital effects artist (as Gary Brown) |
| Kelly Bruce | ... | digital compositor |
| Dales Bulleid | ... | digital operator |
| Adam Christopher | ... | digital colourist |
| Simon Frame | ... | visual effects supervisor |
| Rhodri James | ... | system engineer |
| Henry Jefferson | ... | lead visual effects artist: Men from Mars |
| Alasdair McNeill | ... | lead visual effects artist: Men from Mars |
| Dan Pearce | ... | digital effects artist |
| Maggie Walby | ... | digital artist: Men From Mars |
| Joby Hollis | ... | visual effects artist (uncredited) |
| Christopher T. Page | ... | vfx runner (uncredited) |
| Audrius Urbonavicius | ... | digital matte artist (uncredited) |
Stunts
| Sean Adames | ... | Stunt Double: Hank Azaria |
| Andy Bradford | ... | stunt coordinator: daily |
| Gary Connery | ... | stunt coordinator |
| Levan Doran | ... | stunt double |
| Jason Hunjan | ... | stunt driver |
| Ian Kay | ... | stunt performer |
| Paul Kennington | ... | stunt performer |
| Emma Mac | ... | stunt performer |
| Roy Taylor | ... | stunt performer |
| Arran Topham | ... | stunt performer |
Camera and Electrical Department
| Jim Alloway | ... | camera operator: "b" camera / director of photography: second unit |
| Sebastian Barraclough | ... | daily second assistant camera |
| Paddy Blake | ... | focus puller: "b" camera |
| Harry Bowers | ... | clapper loader: "b" camera |
| Alex Crowe | ... | trainee grip |
| Pearce Crowley | ... | assistant camera |
| Paul Edwards | ... | steadicam operator |
| John Evans | ... | second assistant camera |
| Pat Garrett | ... | key grip |
| Will Handley | ... | wescam technician |
| Adam Harris | ... | additional electrician |
| Christian Hayes | ... | playback and video assist |
| Dermot Hickey | ... | focus puller: "a" camera |
| Ahmet Husseyin | ... | camera trainee |
| Gary Parnham | ... | rigging electrician |
| Mike Rees | ... | daily second assistant camera |
| Terry Richards | ... | rigger |
| Alex Tate | ... | grip |
| Ollie Upton | ... | still photographer (as Oliver Upton) |
Casting Department
| Grace Browning | ... | casting assistant |
| Brendan Donnison | ... | voice casting |
| Pippa Hall | ... | casting: children |
Costume and Wardrobe Department
| Charlie Knight | ... | set costumer |
| Kate Laver | ... | costume design assistant: additional photography |
| Janine Marr | ... | costume assistant: Simon Pegg |
| Holly Smart | ... | costume assistant |
| Aaron Timperley | ... | costume assistant |
| Ermenegildo Zegna | ... | wardrobe: Hank Azaria |
Editorial Department
| Adam Christopher | ... | digital colorist |
| Simon Diggins | ... | post production assistant |
| Alex Panton | ... | digital intermediate producer |
| Jesse Parker | ... | second assistant editor |
| Brenna Rangott | ... | assembly editor |
| Mathieu Reid | ... | color timer |
| Paul Staples | ... | digital preview colorist |
| Mark Wright | ... | negative cutter |
| Leroy Wolf | ... | color timer (uncredited) |
Location Management
| Lucy Foulds | ... | location coordinator |
| Benjamin Greenacre | ... | location manager |
| Richard Hill | ... | assistant location manager |
| Amelia McNeil | ... | location scout |
| Charlotte Wright | ... | location scout |
Music Department
| Becky Bentham | ... | music supervisor |
| Mark Berrow | ... | musician: violin |
| Thomas Bowes | ... | orchestra leader (as Tom Bowes) |
| Tom Brissette | ... | score mixing assistant |
| Paul Broucek | ... | executive in charge of music |
| Tom Calderaro | ... | conductor / orchestrator |
| Peter Clarke | ... | music editor |
| Peter Cobbin | ... | score recordist |
| Steve Durkee | ... | score mixer |
| Andrew Jaimez | ... | musician: drums |
| Andy Kitchen | ... | assistant scoring engineer |
| Teddy Kumpel | ... | musician: guitars (as Edward Kumpel) |
| Dig Lewis | ... | musician: bass |
| Erik Lundborg | ... | additional orchestrator |
| Laura McLean | ... | assistant to composer |
| Sam Okell | ... | assistant engineer (as Sam Okel) |
| Tom Pigott Smith | ... | musician: violin |
| Nyree Pinder | ... | music supervisor |
| Marc Robinson | ... | soundtrack executive |
| Kle Savidge | ... | music supervisor |
| Lori Silfen | ... | music business affairs |
| Alex Wurman | ... | musician: piano, keyboards / score producer |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Transportation Department
| Paul Hutchinson | ... | action vehicle coordinator |
| Cain Lee | ... | driver: camera car |
| Barrie Williams | ... | transportation captain |
Additional Crew
| Monika Agorelius | ... | electronic press kit |
| Sophia Avgousti | ... | title designer: end credits |
| Kellie Belle | ... | clearances |
| Charles Bodycomb | ... | armorer |
| Kate Bone | ... | production assistant |
| Trisha Caney | ... | first assistant accountant |
| Katie Clifford | ... | production runner |
| Patty Covarrubias | ... | assistant: Mr Schwimmer |
| Sara Curran | ... | production legal services |
| Camilla Curtis | ... | assistant production coordinator |
| Kay Di Rezze | ... | cashier |
| Tanya Dyce | ... | stand-in & picture double: Thandiwe Newton |
| Zoë Edwards | ... | production coordinator |
| Synnove Godeseth | ... | daily location assistant (as Synnöve Godeseth) |
| Nicole Gregory | ... | unit publicist |
| Brendan Mason | ... | assistant: Beech Hill producers |
| Andrew Matthews | ... | financial advisor |
| Clive Noakes | ... | laboratory liaison |
| Frances Patterson | ... | assistant: producer |
| Roger Phillips | ... | title designer |
| Irfan Ramzan | ... | assistant: Robert Jones |
| Joshua Ravetch | ... | production resources |
| Myles Robey | ... | production assistant: re-shoot |
| Ruth Robinson | ... | assistant: Nigel Green |
| Daniel Sewell | ... | avid support engineer |
| Suzie Shearer | ... | production coordinator: re-shoot |
| Alex Ship | ... | clearances assistant |
| Joss Spry | ... | set runner / stand-in |
| Danielle Tate | ... | runner: assistant director |
| Morag Webster | ... | unit nurse |
| Gareth Lewis | ... | floor runner: additional photography (uncredited) |
Thanks
| Carl Barât | ... | thanks (as Carl Barat) |
| Dirty Pretty Things | ... | thanks |
| Tallulah Jones | ... | thanks |
| Robert Shaye | ... | thanks (as Bob Shaye) |
