A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching.Written by
Lucy Liu said in a "Making of" featurette, that she had more fun making this movie than any of her other movies. See more »
When Max and his son are sitting in the car at the racetrack, the vehicles are parked too close together. There is only about eight or ten feet between rows of cars. There is no way a driver would be able to maneuver a car out of a parking spot. See more »
After Laughter (Comes Tears)
Written by Johnnie Frierson and Wendy Rene (as Mary Frierson)
Performed by Wendy Rene
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Published by Irving Music, Inc. o/b/o East Memphis Music Corp. See more »
I've never been motivated to leave a review here based on reading others, but the slamming of LNS is beyond accepting. The movie has a style that may, if fact, be borrowed from many other sources, but when it's on the screen, it feels complete as its' own. While the connections are not as surprising as some may say, they are certainly not spelled out for the viewer.
The dialog is a bit kitchy, but there in lies the movies' charm. Reviewers stuck on the believability factor of such dialog seem to be limiting themselves to one cine-style that we'd be limiting ourselves to only 5% (I'm making up that number) of accessible films.
LNS is a fun thinking mans' thriller that is witty, fast fasted, stylishly interesting and ENTERTAINING!!! That's what I want out of a movie, entertainment.... for those who are looking for reality, read the papers, watch CNN, take a walk in somebody else's' neighborhood. For those who like slick mysteries with interesting dialog rent or buy Lucky Number Sleven
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