A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In an airport waiting room, a man in a wheelchair tells a stranger a story about a fixed horse race in 1979 that resulted in a family's deaths. In Manhattan, two bookies and the son of a Mob boss die. A young man just out of the shower answers the door to a neighbor woman and explains that he's visiting, has had a bad week, including being mugged, and doesn't know where his pal, who lives there, is. The neighbor is chatty; she's a coroner. Two thugs arrive and, believing the visitor to be the guy who lives there, take him to see the boss with the dead son, who tells him to kill the son of his Mob rival. Mistaken identity? What connects the threads? Cops are watching.Written by
Released as "The Wrong Man" in Australia. See more »
Towards the beginning of the film at the horse track they show a horse fall during a race in 1979. In one of the scenes you can see a new John Deere tractor in the upper left hand corner of the screen. See more »
After Laughter (Comes Tears)
Written by Johnnie Frierson and Wendy Rene (as Mary Frierson)
Performed by Wendy Rene
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing
Published by Irving Music, Inc. o/b/o East Memphis Music Corp. See more »
Lucky Number Slevin no, that's not a typo will easily be dismissed as Tarantino-esquire. Starring Josh Hartnett as the unlucky title character, the film has more twists and turns than a high-tech roller-coaster, but it's just as much fun (and almost as immediately forgettable).
Directed with breakneck technique by Paul McGuigan from a clever though highly implausible script by Jason Slimovic, the film is cast, with one minor exception, impeccably. It marks the first role that justifies Josh Hartnett's hype, and bestows Lucy Liu the most normal and incandescent part of her career. It's a bonus that they have palpable on-screen chemistry, as well as great foils in the guise of Bruce Willis and Morgan Freeman (though Ben Kingsley's high-strung performance as The Rabbi is a miscalculation). The film itself is stylized written in high gumshoe/screwball mode, with a guided tour of ugly wallpapers throughout history as part of its hard-boiled milieu though the actors' convictions root the topsy-turvy narrative in recognizable human terrain.
At its best, Lucky Number Slevin has the feel of a minor John Huston caper directed, with prankish glee, by Brian DePalma. It's a blood-revenge thriller with no depth, though there are reservoirs of feeling in Hartnett's and Liu's performances, as well as wit. Liu seems to the screwball manor born. And Hartnett prances around for nearly 30 minutes of screen time in nothing more than a long purple towel and a quizzical expression. He's such a game actor that his performance is both a put-on and homage to the long line of Macguffins in film noir. With, of course, a twist.
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