The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was ...
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The true story of the director Lucia Murat's younger brother , Heitor, who is sent to London by his well to do family to avoid the possibility of joining his director/writer sister Ms. ... See full summary »
Fantasies and clichés about Brazil and Brazilians as reinforced by international films, even those actually shot in Brazil. This documentary features interviews with non-Brazilian directors... See full summary »
Philippe de Broca,
Glória is a woman from Rio de Janeiro who tries to move on with her life despite the traumas caused by an abusive father and a drug dealer brother. She starts therapy with Camila, a young Portuguese psychoanalyst.
Joana de Verona,
Marco Antonio Caponi
The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal.Written by
...and I found it great because it examines the process that lead to the huge social crisis we are currently living in Brazil without resorting to maniqueism. It actually blames everyone that is to be blamed. Mrs Murat knows what she is talking about when presents us the reality of the political prisoners in Brazil's 60s and 70s, she's actually been there. However, she never falls into the endless mourning of the poor intellectuals that were forced to live among ordinary prisoners. She actually presents a question and leave it for the watchers to make their own conclusions. The only weak leak is left to the nowadays romance between Maria Flor's character and her slum chief boyfriend. The acting is weak and her character is shallow - nobody knows what are her feelings, why is she there, how much she loves him (and maybe that's because there was too many things to be told at the same time).
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