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Quase Dois Irmãos (2004)

The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was ... See full summary »

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14 wins & 12 nominations. See more awards »

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Cast

Credited cast:
Caco Ciocler ...
Miguel (anos 70)
Flavio Bauraqui ...
Jorginho (anos 70)
...
Miguel (hoje / today)
Antônio Pompêo ...
Jorginho (hoje / today)
Maria Flor ...
Juliana
Fernando Alves Pinto ...
Peninha
Rest of cast listed alphabetically:
Brunno Abrahão ...
Miguel as a child (1950s)
Cristina Aché ...
Miguel's wife (1970s)
...
Miguel's wife (2004)
Pablo Ricardo Belo ...
Jorge as a child (1950s)
Mr. Catra ...
Rap singer
Shirley Cruz ...
Prison officer
Gisela de Castro ...
Mary-Mary
Renato de Souza ...
Deley
...
Miguel's father
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Storyline

The strange friendship between two men of opposite social classes. Miguel is a senator. His childhood friend Jorge is a major drug-dealer. In the 1970s, they meet in prison: Miguel was there for political reasons, and Jorge, as a common criminal. Written by lukejoplin@infolink.com.br

Plot Summary | Add Synopsis

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We all have two lives: the one we dream of and the one we live.

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Drama

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Release Date:

1 April 2005 (Brazil)  »

Also Known As:

Almost Brothers  »

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Box Office

Budget:

BRL 3,000,000 (estimated)
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Connections

References City of God (2002) See more »

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User Reviews

 
A More Realistic "City of God" with More Social Context
30 April 2005 | by See all my reviews

I saw this last night and thought it was brilliant and beautiful. It's like a deeper, more realistic version of "The City of God" with more social context. The audience applauded at the end of last night's showing, which hasn't happened too often at other festival showings I've been to.

Lucia Murat, the director, was there last night. She told us that both she and her husband were left-wing activists and political prisoners in the 1970s under the military rule. The prison part of the story is based partly on her and her husband's experience. She worked with the author of the book version of "City of God" to get nuances of the slum life right (Paulo Lins, author of "Cidade de Deus"). Many of the child actors in the movie actually live in the slums.

The use of non-linear narration, the interlacing of several stories from different time periods (like in "21 Grams"), is confusing at first. It's a little hard to keep track of who's who. But if you pay attention and bear with it for the first half hour, the confusion does clear up. I think this mixing of stories is done for more than just theatrics. It reminds us that these people from different worlds, rich and poor, black and white, are really related and interdependent.


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