On the Kurdish refugee camp on the Iraqi-Turkish border, the boy Satellite is the leader of the kids. He commands them to clear and collect American undetonated minefields in the fields to sell them in the street market and he installs antennae for the villagers. He goes with the local leader to buy a parabolic antenna to learn the news about the eminent American invasion but nobody speaks English and Satellite that knows a couple of words is assigned to translate the Fox News. When the orphans Agrin and her armless brother Hengov and the blind toddler Riga come from Halabcheh to the camp, Satellite falls in an unrequited love for Egrin. But the girl is traumatized by a cruel raid in her home, when her parents were murdered and she was raped. She wants to leave Riga behind and travel with her brother Hengov to another place, but he does not agree with her intention.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Red Fish, which appear commonly throughout the film, are one of the seven symbols of Nowruz, the Iranian New Year, and symbolize life within life. Ironically, Nowruz is on March 20, the day the United States staged the 2003 Invasion of Iraq, during which the film takes place. See more »
teach them math and science!
they know math and science. they have to learn how to shoot now!
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I am a movie fan who wades through a lot of alternative films in the hopes of finding the rare gem that does make it through once every few years. This film is one of them; I saw it Wednesday and turned around and saw it again on Saturday. If anything, the second time I felt like it was over FASTER, which I suppose is another sign of how exquisite this film is. It is one of the saddest films I have seen, and but it treats the pain of war in an unblinking way, recognizing that some of us simply are not equipped to carry that pain, for reasons that cannot be fathomed.
This film contains scenes framed and shot in a way you will never have seen before; the cinematography was creative and fresh. The perspectives of the children involved were haunting and wonderful. To elicit performances from these young actors (the youngest being three years old) is simply genius. I have not seen the director's previous work, but I am looking forward to exploring what I hope will be a fresh new star from a part of the world that the West desperately needs to learn about.
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