A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Roddy is a decidedly upper-crust "society mouse" who lives the life of a beloved pet in a posh Kensington flat. When a sewer rat named Sid comes spewing out of the sink and decides he's hit the jackpot, Roddy schemes to rid himself of the pest by luring him into the "whirlpool." Sid may be an ignorant slob, but he's no fool, so it is Roddy who winds up being flushed away into the bustling sewer world of Ratropolis. There Roddy meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Roddy immediately wants out, or rather, up; Rita wants to be paid for her trouble; and, speaking of trouble, the villainous Toad - who royally despises all rodents equally, making no distinction between mice and rats--wants them iced... literally. The Toad dispatches his two hapless hench-rats, Spike and Whitey, to get the job done. When they fail, the Toad has no choice but to send to France for his cousin - that dreaded mercenary, Le Frog.Written by
At the beginning, Roddy puts on a movie called Die Again Tomorrow. This pays homage to the Bond movies Die Another Day and Tomorrow Never Dies (1997). The cover nods to Goldfinger (1964), and Roddy recreates the gun-barrel from the start of each Bond film. See more »
Rita's belt. In the end sequence after Le Frog removes the master cable from Rita there is no opportunity for her to obtain a new belt, yet after the wave is frozen she is shown standing with Roddy suddenly wearing a black shoelace as a belt. See more »
It's nine o' clock already, we're going to miss our flight.
See more »
There is a scene in the closing credits: Roddy's owners return to their apartment with a pet cat, to Sid's horror.
Then the Tom Jones song "What's New Pussycat?" plays over the closing credits. See more »
Distributors choose to remove mild language from the film after an advice viewing from the BBFC suggested that it would not be acceptable for a U rating. As a result, words such as "bloody" and "bugger" were replaced with "blinkin'" and "bother". After the changes had been made, the BBFC passed the film with a U rating. See more »
I have to admit that I went into this movie with the mixed expectations. I'm haven't been especially impressed with Dreamworks animations, minus "Over the Hedge" which I think is their first film that stands on its own two feet without relying on the popularity of previous animations or pop-culture references.
But enough on that, Flush Away was an enjoyable romp of animation. My only real complaint, is the pacing. The entire thing feels a roller coaster that you ride upside down -- with rotating seats. (Perhaps a contraption Aardman would come up with). The gags are amusing and some are very funny, but I need some breathing/laughing time between them.
Yet if your brain can handle the onslaught of information, you will be able to appreciate the extraordinary amount of creativity in terms of visuals and attention to detail. There's also plenty of adult innuendo and witty jabs at Europeans and Americans alike. Katzenburg's philosophy of making movies "for adults, and the adult in every child." is very evident here. The kids were rolling in the theater with all the slapstick, and the savvy adults had their own laugh track.
In this sense, the film is a success minus the ridiculous pacing. It's worth a look, just leave the Ritalin at home.
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