6.3/10
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Hemingway & Gellhorn (2012)

A drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.

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Nominated for 2 Golden Globes. Another 7 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Martha Gellhorn
... Ernest Hemingway
... John Dos Passos
... Paco Zarra
... Pauline Hemingway
... Mary Welsh Hemingway
... Mikhail Koltsov
... Robert Capa
... Joris Ivens
... Maxwell Perkins
... Madame Chiang Kai Shek
... Sidney Franklin
... Max Eastman
... John Ferno
... Chou En-lai
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Storyline

It was a romance born out of war...and later torn apart by it. This powerful drama recounts one of the great love stories of the 20th century: the relationship between literary giant Ernest Hemingway and trailblazing war correspondent Martha Gellhorn. Written by Jwelch5742

Plot Summary | Add Synopsis

Taglines:

We were good in war. And when there was no war, we made our own.


Certificate:

TV-MA | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

28 May 2012 (USA)  »

Also Known As:

Hemingvej i Gelhorn  »

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Box Office

Budget:

$19,500,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

The first scene held between Hemingway and Gellhorn is set in Sloppy Joe's, still an incresibly popular bar and music venue in Key West. Sloppy Joe's has been open since 1933. See more »

Goofs

The dialog/ captioning makes reference to a roar of a "jet" engine and a jet is seen rapidly flying past in the bombing of Madrid. No jets were around then. They were developed after the Spanish Civil War. See more »

Quotes

Maxwell Perkins: Believe me, Scribner's is interested, if you ever want to write a book.
Martha Gellhorn: Really?
Charles Colebaugh: Mm, you can't filch her, Perkins. I've got her locked up at Collier's. Stories are so good, we want more. Actually, you know, I wasn't sure that gals have the stuff to be war reporters.
Martha Gellhorn: Well, women get bombed same as men.
Ernest Hemingway: [grabs whiskey bottle] Yeah, I want to get bombed right now.
See more »

Connections

Featured in The 64th Primetime Emmy Awards (2012) See more »

Soundtracks

Cachita
for string quartet & percussion
Composed By Rafael Hernández and Bernardo Sancristóbal
Performed by Felix Samuel and The Orquesta Mission
See more »

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User Reviews

 
Some of the right ingredients but the cake fell
29 May 2012 | by See all my reviews

Philip Kaufman who directed this long and boring mess of a film knows better (The Unbearable Lightness of Being, Twisted, etc) and the idea of reflecting on the relationship between Ernest Hemingway and Martha Gellhorn which took place during so many important historical events (Spanish Civil War in Franco's Spain, WW II complete with the Allied Invasion of Europe at Normandy Beach, the Russian Invasion of Finland, the turmoil in China as Communism rose in reaction to the Japanese invasion, the strange position of Cuba in all of this). But the screenplay is so mediocre to very bad (screenwriters Jerry Stahl and Barbara Turner) and the level of acting is so superficial that it simply falls flat.

Martha Gellhorn, the Collier's reporter who becomes a war correspondent and marries Ernest Hemingway as she travels up the ladder of fame, is by far the main character here. A very well made-up aged Martha (Nicole Kidman) opens the story as she is being interviewed for a TV program. We immediately are in flashbacks to how this stern woman met Hemingway in a Key West bar, matched him quip for poorly written quip and finally follows him in a very phony setup: Hemingway (Clive Owens in a shoddy performance) is traveling with John Dos Passos (David Strathairn), Spanish patriot Paco Zarra (Rodrigo Santoro) and crew to shoot a film by Joris Ivens (Lars Ulrich) to show the public the atrocities of Franco in the Spanish Revolution - a tiresomely overused gimmick. Everyone drinks a lot and Hemingway finally seduces Gellhorn to his bed in Madrid (he is currently married to the very Catholic Pauline (Molly Parker) who upon discovery his adultery refuses to divorce him). As the situation in Spain falls down, Hemingway and Gellhorn take their need to write - Hemingway to complete FOR WHOM THE BELL TOLLS and Martha flies off to various war fronts to be a war correspondent. Together they fight their way through experiences in China and other hot spots until ultimately Hemingway remains drunk in Cuba 'fighting off German U boats' and Gellhorn gives up on him.

Nicole Kidman gives the only remarkable performance; Clive Owens could have phoned in his role. Others in the huge cast of miniscule parts are Robert Duval , embarrassingly bad as a Russian General, Joan Chen as Madame Chiang, Tony Shalhoub as the Russian spy Koltsov, an excellent Santiago Cabrera as the famous war photographer Robert Capa, Peter Coyote (don't blink), Diane Baker, Parker Posey, and Connie Nielsen. The film runs 2 ½ hours on HBO and could easily have been edited down to an hour and a half. The only real saving grace (meaning the only reason to watch it0 is the very artistic way the film is a blend between contemporary cinematography and real film footage from the events in the story. That part is Magical. Otherwise, this is a snooze fest.

Grady Harp


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