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Tristram Shandy: A Cock and Bull Story (2005)

A Cock and Bull Story (original title)
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Director Michael Winterbottom (Northam) attempts to shoot the adaptation of Laurence Sterne's essentially unfilmable novel, "The Life and Opinions of Tristram Shandy, Gentleman."

Writers:

Laurence Sterne (novel), Frank Cottrell Boyce (screenplay) (as Martin Hardy)
2 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Steve Coogan ... Tristram Shandy / Walter Shandy / Steve Coogan
Rob Brydon ... Capt. Toby Shandy / Rob Brydon
Keeley Hawes ... Elizabeth / Keeley Hawes
Shirley Henderson ... Susannah
Raymond Waring ... Trim
Conal Murphy Conal Murphy ... Young Tristram Shandy - Age 6
Joe Williams Joe Williams ... Young Tristram Shandy - Age 9
Paul Kynman ... Obadiah
Mark Tandy ... London Doctor
Mary Healey ... Midwife
Dylan Moran ... Dr. Slop
Jack Shepherd ... Surgeon
David Walliams ... Parson
Jeremy Northam ... Mark
Benedict Wong ... Ed
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Storyline

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

He's About To Play The Role Of His Life. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

20 January 2006 (UK) See more »

Also Known As:

Tristram Shandy: A Cock and Bull Story See more »

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Box Office

Budget:

£2,800,000 (estimated)

Opening Weekend:

£332,582 (United Kingdom), 22 January 2006, Limited Release

Opening Weekend USA:

$60,886, 29 January 2006, Limited Release

Gross USA:

$1,253,413
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Tony Wilson: The real Tony Wilson (who Steve Coogan played in 24 Hour Party People (2002), another Michael Winterbottom film) plays himself, interviewing Steve Coogan on the film set. The somewhat spiky relationship between the two (who also worked together on local TV in the early 1990s) is subtly referenced in Coogan's lukewarm "let's catch up in Manchester". See more »

Quotes

Steve Coogan: Do you know there's a good Groucho Marx story about, see, he meets a woman with seven children and says "Why've you got seven kids?" and she says "Because I love my husband." And he says, "Well, I love my cigar, but I take it out now and again."
See more »

Crazy Credits

Throughout the closing credits, Rob and Steve talk about how they use techniques of various other actors. See more »

Alternate Versions

Just as with "In This World," the British DVD features a 1.78:1 transfer of the film. Although the film was shot for release in theaters at 2.35:1, because it was made on DV, the total space of the filmed image was 1.78. The film was masked for theatrical release, as the director intended. However, for DVD release, the film was transferred open matte. Again, like "In This World," only the American DVD respects the theatrical aspect ratio of 2.35:1. See more »

Connections

References Hello, Dolly! (1969) See more »

Soundtracks

An Eye for Optical Theory
from The Draughtman's Contract Music
Composed by Michael Nyman
Published by Chester Music Limited
Performed by the Michael Nyman Band
See more »

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User Reviews

 
Unfilmable book according to Michael Winterbottom
6 February 2006 | by jotix100See all my reviews

Tristram Shandy, the complex novel, by Laurence Sterne, comes to the screen thanks to the adaptation and direction of Micahel Winterbottom, a man that likes to take risks. The idea of mixing the goings on of a film being made based on the novel, and the people behind the project presents some original ideas about what goes on behind the scenes.

This film within a film, showcases the talents of Steve Coogan and Rob Brydon, two funny English comedians that haven't been seen much on this side of the Atlantic, but who are quite well known in the U.K.

The Sterne novel is just a pretext for making sense of the book, which presents tremendous challenge to the movie makers. On the one level we see the story of the birth of the hero of the novel, and on the other, we watch a somewhat conceited actor going through the process of the filming as he and the company socialize in a posh hotel.

The basic premise of the film presents a problem with American audiences drawn to the film by the good notices it received from the local critics. Judging the reaction of the audience the other day at the Angelika, one wonders if the film was understood as almost no laughter could be heard in response to some of the clever and funny things happening on the screen. In fact, it seems baffling to this viewer the response of what appeared to be an audience of mostly cool NYU students.

What Mr. Winterbottom gets is excellent acting from most of this multi talented cast. Steve Coogan, with his deadpan delivery, and Rob Brydon, his sidekick, come out as the winners. Their timing is impeccable and their chemistry is real. Some of the other people in the cast include Shirley Henderson, Stephen Fry, Kelly MacDonald, Ian Hart, Jeremy Northam, Naomie Harris, Gillian Anderson and some other talented English actors, too many to mention all.

The excellent musical score by Michael Nyman enhances all what we are watching. Marcel Zyskind's cinematography gives the right look to the film. Ultimately, all credit for making the film the fun it is goes to Michael Winterbottom.


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