The retelling of France's iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and to the end of her reign as queen, and ultimately the fall of Versailles.
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"All eyes will be on you," says the Austrian Empress, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.Written by
Several times throughout the film, chandeliers can be seen clearly with electric light bulbs that weren't present in the 18th century. This is because Versailles was 'renovated' in the early 20th century and the candles were replaced with lamps. Therefore the crew had no control over this. See more »
I went into this movie with high expectations/hopes, despite the fact that the film wasn't well received at its Cannes premier (I loved Sophia's first two movies, and my husband and I figured that the snobs at Cannes were touché with a Hollywood take on French history; my husband is French, btw). The film was bad, and poorly made (let me stress poorly). I could see the microphone in almost every scene. My husband noticed the microphone first (because he always notices little details/mistakes), but I started noticing it as well (which means it had to be bad because I never notice anything like that). There is even one scene where you can see a man holding the microphone reflected in a mirror. It was so bad, it was ridiculous; we almost thought it was a joke. The only reasoning we could come up with to explain this sloppy editing is that they didn't have the budget to shoot take after take at Versailles.
The acting was horrid; the story was a bore (or lack of story). The only thing going for it was the scenery/costumes. Plus, I liked the realism. (I hate gloried/romanticized epic historical biopics, and thankfully, this wasn't one of them). The soundtrack was modern (with some baroque music thrown in for kicks), and this didn't work at all (although it was kind of cool to hear the Cure during their coronation ceremony); the music sounded forced, like it was stuck in there just to make the film seem 'original'. I could go on, but it's been a while since I saw it, and it's no longer fresh on my mind (I saw it in France during its opening week).
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