When a group of tourists in a New Orleans haunted swamp tour find themselves stranded in the wilderness, their evening of fun and spooks turns into a horrific nightmare.
Marybeth escapes the clutches of the bayou-butcher Victor Crowley and returns to the swamp with an army of hunters and gunmen, determined to end Crowley's reign of horror once and for all.
A search and recovery team heads into the haunted swamp to pick up the pieces, and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
Director:
BJ McDonnell
Stars:
Danielle Harris,
Kane Hodder,
Zach Galligan
A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain - a group that includes the cop who put a bullet in Goodnight's head four years ago - band together to survive against the brutal killer.
Director:
Gregory Dark
Stars:
Glenn Jacobs,
Christina Vidal,
Michael J. Pagan
A young girl wakes up in a casket with a head injury and no memory of her identity. She quickly realizes she was abducted by a serial killer and she must fight to survive.
A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man who claims he can prove that monsters are indeed real.
The next great psycho horror slasher has given a documentary crew exclusive access to his life as he plans his reign of terror over the sleepy town of Glen Echo.
"ChromeSkull" is the sequel to the 2009 horror hit "Laid to Rest." It brings back ChromeSkull, who barely escaped death in the first movie and is hell-bent on continuing where he left off..... See full summary »
Director:
Robert Hall
Stars:
Brian Austin Green,
Thomas Dekker,
Mimi Michaels
A motley crew of tourists embark on a boat ride of the haunted Louisiana bayous where they learn the terrifying tale of local legend "Victor Crowley," a horribly disfigured man who was accidentally killed with a hatchet by the hands of his own father. But when the boat sinks and the ghost story turns out to be real, the group tries desperately to escape the swamp with their lives . . . and all of their pieces.Written by
Anonymous
When the older man get his leg bitten by an alligator as the tour boat is sinking, one of the girls makes the comment that with his blood in the water, the area will become an alligator feeding frenzy. However, alligators don't hunt by blood scent, as sharks do, so the man's blood in the water would make no difference. See more »
Quotes
Shawn:
Don't mind him, that's just Jack Cracker.
Jenna:
Jack Cracker?
Shawn:
Yeah, yeah, just one of the local alligator hunters. He just sits there, yells things, drinks his own piss. He's... ah, you know, cracked.
See more »
Alternate Versions
Unrated U.S. DVD release contains all gore that was cut from the film to earn an "R" rating. See more »
This Is The New Shit
Written by John 5 (as John Lowery), Tim Skold (as Tim L.K. Skold) and Marilyn Manson (as Brian Warner)
Performed by Marilyn Manson
Courtesy of EMI and Chrysalis Music o/b/o GTR HACK Music See more »
Anyone whose a regular on sites like Ain't It Cool News has no doubt caught the massive hype campaign for Adam Green's Hatchet. Well, to get straight to the point, don't buy into it. Certain people would have you believe that this is the second coming of the horror genre (just like Hostel part II right?). What movie did they see? I saw a very by the book slasher flick with no surprises or real twists on the genre.
The plot concerns a tour group in the NOLA swamps that begin to be picked off one by one by the deformed Victor Crowley (wow what an original name). Crowley looks like the Elephant Man on steroids and of course, possesses super human strength. For a character whose been called the next horror icon, I just can't help but be underwhelmed. The big reveal of the grown up Crowley is so ineptly handled I actually said "that's it?" to myself. He sorta of just strolls onto screen. Movies like The Descent and Feast handled these kinds of reveals so much more memorably.
I'll give credit were credit is due though. The kills in this movie are delightfully over the top and gory. They're definitely the highlight of the movie. But, it's at odds with the acting, which for once is actually pretty good. The actors in this movie for the most part play it straight and do a convincing job. I really liked Joel Moore, who I'm eager to see more of. But it's too real. I know that's an odd complaint but bear with me here. The actors are so convincing in places and seem to behave like real people probably would in this situation, but then Crowley rips someone's arms off or appears, literally, from out of nowhere. This disparity hurts the film in the long run. Either it really should have gone for all out splatstick zaniness, or it should have toned down on the sillier moments and played it more for real scares.
The score isn't doing anyone any favors either. It's the all too typical, crappy sounding MIDI highlighting and underlining every cheap scare with a big sting. I am so sick to death of this type of horror score. If you don't have a budget, forget the MIDI and go for creepy minimalism.
I wish Adam Green the best in his career because there is potential here, but he's still green. Maybe next time Adam.
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Anyone whose a regular on sites like Ain't It Cool News has no doubt caught the massive hype campaign for Adam Green's Hatchet. Well, to get straight to the point, don't buy into it. Certain people would have you believe that this is the second coming of the horror genre (just like Hostel part II right?). What movie did they see? I saw a very by the book slasher flick with no surprises or real twists on the genre.
The plot concerns a tour group in the NOLA swamps that begin to be picked off one by one by the deformed Victor Crowley (wow what an original name). Crowley looks like the Elephant Man on steroids and of course, possesses super human strength. For a character whose been called the next horror icon, I just can't help but be underwhelmed. The big reveal of the grown up Crowley is so ineptly handled I actually said "that's it?" to myself. He sorta of just strolls onto screen. Movies like The Descent and Feast handled these kinds of reveals so much more memorably.
I'll give credit were credit is due though. The kills in this movie are delightfully over the top and gory. They're definitely the highlight of the movie. But, it's at odds with the acting, which for once is actually pretty good. The actors in this movie for the most part play it straight and do a convincing job. I really liked Joel Moore, who I'm eager to see more of. But it's too real. I know that's an odd complaint but bear with me here. The actors are so convincing in places and seem to behave like real people probably would in this situation, but then Crowley rips someone's arms off or appears, literally, from out of nowhere. This disparity hurts the film in the long run. Either it really should have gone for all out splatstick zaniness, or it should have toned down on the sillier moments and played it more for real scares.
The score isn't doing anyone any favors either. It's the all too typical, crappy sounding MIDI highlighting and underlining every cheap scare with a big sting. I am so sick to death of this type of horror score. If you don't have a budget, forget the MIDI and go for creepy minimalism.
I wish Adam Green the best in his career because there is potential here, but he's still green. Maybe next time Adam.