In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
With the help of a mysterious pill that enables the user to access one hundred percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
On the day that Hurricane Katrina hits New Orleans, elderly Daisy Williams (nee Fuller) is on her deathbed in a New Orleans hospital. At her side is her adult daughter, Caroline. Daisy asks Caroline to read to her aloud the diary of Daisy's lifelong friend, Benjamin Button. Benjamin's diary recounts his entire extraordinary life, the primary unusual aspect of which was his aging backwards, being diagnosed with several aging diseases at birth and thus given little chance of survival, but who does survive and gets younger with time. Abandoned by his biological father, Thomas Button, after Benjamin's biological mother died in childbirth, Benjamin was raised by Queenie, a black woman and caregiver at a seniors home. Daisy's grandmother was a resident at that home, which is where she first met Benjamin. Although separated through the years, Daisy and Benjamin remain in contact throughout their lives, reconnecting in their forties when in age they finally match up. Some of the revelations ...Written by
There really was a pygmy man housed in a monkey house. Ota Benga was trapped from the Congo in 1904, and kept on display in a monkey house in the Bronx Zoo. His teeth were chiseled, and he used to shoot arrows at onlookers. In 1906, they released him, realizing they had been "inhumane," and he was placed in an orphanage until 1910 when he was relocated to Virginia. He received formal education before starting work at a tobacco factory, and he began to plan his return to the Congo. With the outbreak of WWI his plans seemed impossible and he became depressed and killed himself in 1916. Ota Benga also serves as a character in The Fall (2006). See more »
When Thomas Button first is seen in the movie observing Benjamin during an outdoor gathering at the old folks house, he gets immediately into his car and leaves, the camera pans back to Benjamin with a power pole visible behind him. The pole has a modern cable television/internet wire running down it, just above his shoulder. See more »
Before seeing The Curious Case of Benjamin Button I wondered how I would react to the story of a man who is born old and gets younger as he grows up. Of all of the stories I have come across, this is by far the most bizarre and intriguing. If i had to pick someone to bring this story to the screen I do no think David Fincher would have been my first choice.
How wrong I would have been. This film is by far one of the best if not the best of 2008. Fincher's direction is flawless! The film from start to finish does not let up. There are moments of joy and ecstasy followed by sorrow and understanding. Brad Pitt stars as Benjamin, a boy born an old man who must live his life in reverse. His friend from childhood, Daisy, is played by Cate Blanchett. The story is narrated from Benjamin's point of view with some particular highlights from Daisy.
The cast does nothing wrong. Pitt leads with Blanchett and a strong performance from Taraji P. Henson as Benjamin's surrogate mother Queenie, the only person in the world who seems to understand and truly love him from the start. Other cameos along the way bring a large array of characters, including Tilda Swinton, one of Benjamin's early love interests.
The film spans from the end of World War I to the the arrival of Hurricane Katrina in New Orleans. The transitions from life stage to life stage and decade to decade are seamless. Fincher does a tremendous job at maintaining a steady flow of action and dialogue. There is not a dull moment in the film. The cinematography is superb and couples nicely with Fincher's style of accentuating certain colors to enhance a mood or moment.
There really is nothing wrong with this film. Even with a runtime of about 160 minutes, time just flies by, much like it does for Benjamin, only we are going forward. This is a tender and meaningful film you do not want to wish.
540 of 784 people found this review helpful.
Was this review helpful to you?
| Report this