When the Hutu nationalists raised arms against their Tutsi countrymen in Rwanda in April 1994, the violent uprising marked the beginning of one of the darkest times in African history which resulted in the deaths of almost 800,000 people.
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who... See full summary »
A local Hutu official is persuaded to implement the government's policy against the Tutsi: To completely wipe them out. Josette, a beautiful young Tutsi girl struggles to survive the ... See full summary »
Eric Bridges Twahirwa,
A young Englishman is sent to Malaysian Borneo in the 1930s to stay with a tribe as UK's colonial representative. A local woman (J.Alba) helps him understand local tradition and language. He falls in love with her etc. despite the taboo.
A young Tutsi woman and a young Hutu man fall in love amidst chaos; a soldier struggles to foster a greater good while absent from her family; and a priest grapples with his faith in the face of unspeakable horror.
In 1990s Scotland, a group of Catholic school girls get an opportunity to go into Edinburgh for a choir competition, but they're more interested in drinking, partying and hooking up than winning the competition.
In April 1994, after the airplane of the Hutu President of Rwanda is shot down, the Hutu militias slaughter the Tutsi population. In the Ecole Technique Officielle, the Catholic Priest Christopher (Sir John Hurt) and the idealistic English teacher Joe Connor (Hugh Dancy) lodge two thousand five hundred Rwandans refugees, under the protection of the Belgian U.N. force, and under siege by Hutu militia. When the Tutsi refugees are abandoned by the U.N., they are murdered by the extremist militia.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The firearm props used were real weapons, though they had been disabled. The extras were given belts of live ammunition to carry around in several scenes. See more »
The French troops who conduct the evacuation of whites from the school appear to use Land Rover Defenders. The light transport vehicle of the contemporary French troops is the Peugeot P-4, a French-made version of the Mercedes G-Wagen. See more »
I'll see to that after Mass.
I'm a priest in a Catholic country, Joe. This is what I do.
Yeah, sure. But do you think it is the best time for that?
In times of stress, people need to commune with God.
I think maybe they'd prefer some food, water, a spot of reassurance.
Well, come to Mass-get all three on the same ticket.
See more »
Before the credits we are shown photographs of Rwanda genocide survivors who served as on set crew members. Next to each picture is text stating how many loved ones they lost. See more »
A "clean language version" of the film was released on DVD in 2007. See more »
In 1994 800,000 people were killed in Rwanda. During this time a school comes under siege. How far would you go to help save lives? The atrocities in Rwanda went somewhat unnoticed as the world watched and winced before changing their TV channels. The UN blundered while describing the events as "acts of genocide" as opposed to the genocide it so clearly was. John Hurt and Hugh Dancy star in this powerful and touching story of hope, fear and humanity.
Set in the Ecole Technique Officielle (ETO), a high school in Kigali, John Hurt plays Christopher a priest who has seen his share of tribulations and clings to what hope he has left while Joe (Hugh Dancy) is embroiled in the horrors that unravel at the school as the hope he had begins to slide.
Michael Caton- Jones is a director who has previously delved deeply into relationships in 'This Boy's Life' and 'City by the Sea'. In Shooting Dogs his exposition of humanity is excellently portrayed in what essentially has the make up of a Hollywood horror story. As the Hutu's seize power, Tutsi's and their supporters gradually come under fire as the school is besieged and machetes dictate who lives and dies.
Despite the characters being fictionalized the events took place and what we are presented with is a powerful and truly disturbing picture as no punches are pulled and the true terrors exposed. This acts both as a wake-up call and homage to those who died and those who survived the atrocities.
Father Christopher, played by John Hurt, is the lynch pin in this nightmarish scenario. Having been weathered by a life of strain his last strands of hope are fading as the chaos descends upon his school. As usual Hurt's performances stretch beyond impeccable to a level of authenticity one could only expect from someone who was actually there. As with Joe, whose childlike naivety is broken down gradually until he becomes a shadow of his former self, contrasting Christopher. The director uses a young Tutsi girl, Maria (Claire Hope-Ashley), to introduce and somewhat narrate the proceedings as an unsteady UN-laced serenity is transformed into a time of fear and suffering. (The title comes from the fact the UN were killing dogs that fed on decomposing bodies but could never fire shots against those wielding machetes.) This is a flawless film in its delivery and character portrayal. The cast and crew were made up of survivors and those linked closely to the events so the film has already had the authenticity in its bones. Hotel Rwanda approached the subject matter from a different angle- a story about heroism. This film shares the same theme but it is the basic approach that sharpens the emotions and the human elements that set it apart from other films of this nature.
From the playful opening scenes to the carnage that ensues, the audience cannot help but be enthralled and engrossed by man's potential for good and totally disgusted by his potential for evil.
49 of 56 people found this review helpful.
Was this review helpful to you?
| Report this