6.7/10
870
6 user 25 critic

Opal Dream (2006)

A young girl's relationship with her imaginary friends resonates throughout her town in the Australian Outback.

Director:

Peter Cattaneo

Writers:

Peter Cattaneo (screenplay), Phil Traill (screenplay) | 2 more credits »

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From $3.99 (SD) on Prime Video

ON DISC
1 win & 2 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Sapphire Blossom Sapphire Blossom ... Kellyanne Williamson (as Sapphire Boyce)
Christian Byers ... Ashmol Williamson
Vince Colosimo ... Rex Williamson
Jacqueline McKenzie ... Annie Williamson
Robert Morgan ... Sid
Anna Linarello Anna Linarello ... Betsy
Denise Roberts ... Vera Dunkley
Peter Callan ... Dan Dunkley
Stephen Potter Stephen Potter ... Lyndon Dunkley
Sharni Honor Sharni Honor ... Sandra Dunkley
Lisa Flanagan Lisa Flanagan ... Ms Banamooka
Anthony Braun Anthony Braun ... Lyndon's Gang
Casey Frew Casey Frew ... Lyndon's Gang
Martin Grava Martin Grava ... Lyndon's Gang
Roberto Crisa Roberto Crisa ... Jes
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Storyline

A young Australian girl living in a small rural mining town prefers the company of her two imaginary friends, Pobby and Dingan, to real children. She ends up looking awkward during social gatherings and her only tangible friend is her older brother, Ashmol, who finds Pobby and Dingan annoying and often makes fun of them because he's embarrassed by his sister's behavior. Kelly-Anne's and Ashmol's father is an opal miner trying to earn a living, and their mother is busy trying to fit in as a member of the community. Both parents agree that it's time for Kelly-Ann to move on and leave her fantasy world behind - but when they force her to grow up too fast with a hasty decision, Pobby and Dingan are killed and Kelly-Ann falls into a grief-stricken illness. The only one who can set things right is Ashmol. Written by Gasmaskproductionsbooks

Plot Summary | Add Synopsis

Taglines:

From the director of THE FULL MONTY. See more »

Genres:

Drama | Family

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements, language and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

BBC Films [UK] | Renaissance Films

Country:

Australia | UK

Language:

English

Release Date:

22 November 2006 (USA) See more »

Also Known As:

Pobby & Dingan See more »

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Box Office

Budget:

AUD 11,400,000 (estimated)

Opening Weekend:

AUD 18,528 (Australia), 6 November 2006, Limited Release

Opening Weekend USA:

$2,716, 24 November 2006, Limited Release

Gross USA:

$13,751, 23 March 2007

Cumulative Worldwide Gross:

$182,978, 11 February 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This film's closing credits declare that this movie was: "Filmed on location in Cooper Pedy and Adelaide, South Australia". The spelling of the famous South Australian opal mining town is incorrect and should have read "Coober Pedy". See more »

Quotes

Ashmol Williamson: Opal shines like stars, but it's underneath.
Ashmol Williamson: You can't see it, but you can dream about it.
Ashmol Williamson: And the more you dream, the deeper you wanna dig for it.
Ashmol Williamson: But if you dig too deep you might never get out.
Ashmol Williamson: You might never wake up.
See more »

Crazy Credits

Drawings of children's imaginary friends are featured during the end credits. See more »

Connections

Featured in Opal Dream: Behind the Scenes (2007) See more »

Soundtracks

Right Back Where We Started from
Written by J. Vincent Edwards and Pierre Tubbs
Performed by Maxine Nightingale
See more »

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User Reviews

 
a quieter and deeper Full Monty
18 July 2006 | by cnewfSee all my reviews

This is quite a good film about a sun-scorched prospector town and family members whose dreams and imaginary worlds drive each other nuts. It's deeper than the director's best-known film, The Full Monty, though the topic is similar: the struggles of working-class folks to stay closer to their dreams than they are to their failures. The depiction of the town dynamics seemed to me as flawless as the individual performances, and as someone who comes from a family with shall we say a non-standard member, I was impressed with the film's ability to produce a familiar emotional mix of exasperation, devotion, and desire for a truly imaginative cure for the main problem. The movie delivers on this last point. It would be wrong to see this as a chick flick, because as in The Full Monty the cast and crew are interested in men who try to figure out how to resolve conflicts and fix disasters without using anger and force, and who pretty much succeed. British and Commonwealth film is generally better than American at avoiding stereotypes of blue-collar masculinity and this is a particularly good and heart- warming example. The boy in the picture, who has to figure out what to do about his dad and his sister, is one of the great kids of recent film history.


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