In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
A well-ordered hardware store owner in Buenos Aires will see his life turn upside down when he helps a stranded Chinese man who doesn't speak a word of Spanish find his uncle in the bustling city. But can this coexistence bear fruit?
Muriel Santa Ana,
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
Mariano Is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.
In Buenos Aires, the epileptic taxidermist Esteban Espinosa is a painstaking man that likes to plot the perfect heist. When his wife leaves him, he accepts the invitation of his friend Sontag to hunt in a forest. They rent a cabin owned by Diana Dietrich and her husband Carlos Dietrich but soon they have an argument and Sontag returns to Buenos Aires. Esteban stays alone and while hunting a deer, he accidentally kills Dietrich near a shed. Esteban opens the shed and finds a plan for the heist of an armored truck. When he returns to the cabin, he stumbles with the criminals Sosa and Montero that are seeking out Dietrich. Now Esteban has the chance to execute the perfect crime he has dreamt on.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Carlos Dietrich hunting authorization, his birth date is April 4th, 1946. See more »
You're really going to kill a deer? You've got to have a lot of balls to do that, you know?
Esteban Espinosa, the taxidermist:
What kind of balls? The same kind you need to beat the shit out of your wife... and ruin her life?
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To Live a Better Life, there is not a Second Option for a Desolate Man
Ricardo Darin's Espinosa portrait is just like my reflection in the mirror. I found myself in it. Fabian Bielinsky's 3rd directing and 5th screenplay experience happened to be his last step of his career. With El Aura, he carries us away into the world of a misunderstood desolate man. For most films, people don't like reading a review or collecting detailed information before actually seeing the film. But if the film you're approaching is a mystery and cannot be understood easily in the first view, you should get some clue of it before watching. Anyhow, El Aura is one of them.
Esteban Espinosa earns his life with taxidermy, filling up animal hides of wild-life. He is a naturalist and jack of all trades, has a strong memory and is very observant. One day waiting at a queue at the bank, he shares his most marvellous dream -to rob a bank- with his friend; while he is being offered to accompany his friend for shoot day out in the forest. On a Monday, they settle into a motel in the forest, where they weren't hosted well enough and were questioned if they are local; putting them on the jitters. With this bad mood, they start arguing while hunting for deers. After his friend insulted him and left him alone; he gets caught into a major epilepsy fit for a moment and falls in a faint. When he wakes up he is unconscious; and while aiming to shoot a deer, he suddenly turns his rifle to an old man walking in the forest and shoots him. Gaining back his conscious, he goes near to the man he shot; whose cell-phone starts to ring. Espinosa takes his cellphone and his i.d. ; then hides the corpse in a pit. To avoid the trouble he fell into, he remains calm and turns back to motel to stay there longer than planned. His friend goes back to the city, then he starts stepping towards his mysterious journey; when he finds out that the man he killed is the owner of the motel.
The screenplay segments work completely perfect: Plot is very well built, script is written professionally in a plain format, story developing at its best, character developing is well crafted, and the main theme is so wisely gives multiple messages and views. Everything we see, we hear, we witness are elements of a complete mystery. This film needs to be seen very carefully. Flashback sequences will be refreshing our memory of the earlier scenes where it's completely necessary. Also it's clearly to see that the editing and the full post-production job with music and sound effects are best fit.
I find it essential to analyze Esteban Espinosa's characterization work. There are 4 basic factors that differentiates Espinosa's character:
He is not happy living his life on his own. He has a hidden adventurous character. He likes trouble, he likes testing his limits. Thus he pokes his nose into everything. He steals, collects and carries with him almost everything he thinks it's useful. In fact, Esteban Espinosa character may be an awesome sample of a Point-and-click Adventure Game. His character has been designed to be another Guybrush or another George Stobbart. Overall, El Aura is among the best of all-time Mystery/Adventure movies.
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