Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late.Written by
When Harold is asked the product of 67 and 453, he actually gives the correct answer, "30,351", the first time. His second answer of "31,305" is incorrect. See more »
Harold's apartment is partially destroyed by a front-end loader with hydraulic forks hooked to it. When Professor Hilbert talks to Harold in the next scene he mentions it being hit by a wrecking ball. See more »
Professor Jules Hilbert:
No one wants to die, Harold, but unfortunately we do. Harold, you will die someday, sometime. Heart failure at the bank. Choke on a mint. Some long, drawn-out disease you contracted on vacation. You will die. You will absolutely die. Even if you avoid this death, another will find you and I guarantee that it won't be nearly as poetic or meaningful as what she's written.
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During the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked. See more »
I saw this film at the Chicago Film Festival opening last night. I went not knowing a thing about it in advance, and was pleasantly surprised. I'd suggest that people DON'T read specifics about this film before seeing it.
The story/script is fantastic - I'd be surprised if it didn't get nominated for the big original screenplay awards. It's interesting, funny, poignant, and quite charming, actually.
The casting in general is wonderful... As someone else said, Hoffman is perfectly understated... I'd never seen Maggie Gyllenhaal before, but I'm a fan after seeing this one. And Emma Thompson could see a best supporting actress nod for this film.
Sadly, I thought the film's weakest point was the casting of Will Ferrell in the lead. He's not bad by any means, but he just doesn't work at the same level as the rest of the cast. Kudos to him for what he DOES accomplish in this film, but it would've had plenty of starpower without him, and the role could've been used to showcase someone else's talent.
All in all, thumbs up.
Just my two cents.
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