Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. The narrator it is extraordinarily accurate, and Harold recognizes the voice as an esteemed author he saw on TV. But when the narration reveals that he is going to die, Harold must find the author of the story, and ultimately his life, to convince her to change the ending of the story before it is too late.Written by
The title of the movie comes from a famous quote from Lord Byron's "Don Juan": "'Tis strange, but true; for truth is always strange; Stranger than fiction: if it could be told, How much would novels gain by the exchange! How differently the world would men behold!" See more »
Near the beginning, Ms. Eifel dictates "When asked by a co-worker for the product of 67 and 453, Harold drew a blank. He quickly answered 30,351 despite the answer really being 31,305." The product of 67 and 453 actually is 30,351. This was meant to get viewers to question who was dictating Harold's life, the narrator or Harold himself. It wouldn't be a coincidence that the "incorrect" number given by Harold would in fact be the correct answer. See more »
Professor Jules Hilbert:
[walking to pool]
Some plots are moved forward by external events and crises. Others are moved forward by the characters themselves. If I go through that door, the plot continues. The story of me through the door. If I stay here the plot can't move forward, the story ends. Also if I stay here, I'm late.
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During the end credits, the names of the characters and the actors who played them were displayed against stylized images of the places where the characters worked. See more »
With his unassuming eyes and sheepish, "awe shucks!" demeanor, Will Ferrell is quite simply the guy you root forthe eternal boy trapped in a gangly 6'3" frame. Just a single look can make you giggle and smile so effortlessly that you're often unaware that you're actually doing it. It is with this notion that Stranger than FictionFerrell's first major foray into a theatrical world outside the realm of in-your-face frat boy sillinessjust makes sense. By surrounding Ferrell's charisma with a subdued, darkly comic script and a talented supporting cast, we get a film that is both fresh and heartfelt.
Directed by Marc Forster and penned by Zach Helm, Stranger than Fiction is an odd mix-mash, combining a standard comedy with existentialist ideas. Number crunching IRS agent and genuine loser, Harold Crick (Ferrell) one day wakes up to find his life being narrated word for word by burnt out writer Karen Eiffel (Emma Thompson). Odd thing is, Eiffel is writing an actual book where Crick just happens to be the main character. To make matters worse, she plans on killing him off as soon as she can make it through a particularly arduous stretch of writer's block.
Originality is one thing that is absent from a majority of contemporary Hollywood pictures, so Fiction immediately gets points for simply trying something different. I suppose it's icing on the cake that the film is genuinely good. Crick, knowing that is death is imminent, begins to break out of his cloistered shell and to experience the fruits of his life. And, in the process he forms a bond with a tax breaking baker (Gyllenhal) and seeks advice from a literature professor, played by a particularly charming Dustin Hoffman
However, even though it is well intentioned, the execution isn't flawless. The romance that develops between Gyllenhal's outcast baker and Ferrell's strait-laced Crick doesn't feel entirely organic. We admire the relationship and smile at its sugar coated sweetness, but we don't necessarily believe their connection. It may taste good, but it doesn't exactly wash down smoothly. Neither, does the film's over reliance on reinforcing generic, "Carpe Diem" philosophies. Towards the second act, things do get sappy. Luckily, by the conclusion, the plot has bounced back to a wonderful limbo of both oddly comic and genuinely heartwarming moments.
For all its flaws, Stranger than Fiction, works. Like a good novel, Forster has fashioned something that is strange, stylistic, and unexpectedly inspiring. And, despite the chinks in its existentialist armor, that's surely something worth writing home about.
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