A final live variety show broadcast via radio becomes a metaphor for the natural order of life. A concept and script by Garrison Keilor uses every natural and technical element of working with a tight and close ensemble producing a weekly show to sooth us and guide us through the natural but difficult transitions of aging, becoming less relevant and then dying as new, young life develops and strengthens during our final "performances." This is a rare film for it's remarkable cast and crew and one wonders how the great Robert Altman was able to gather them all at the same place and time to shoot this film.Written by
When Yolanda is in her dressing room, she's wearing a beige dress with a reddish jacket. On stage, she wears a red dress with the same reddish jacket. See more »
Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
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There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »
Who knew that Lindsay Lohan could deliver a performance of this caliber? My friends and I, all movie aficionados, were stunned by her performance, albeit a supporting role. I never EVER thought I would utter those words. As mentioned earlier, Lohan's real acting debut is here.
Still, her's is highlighted by a magnificent ensemble, particularly Tomlin and Streep, who give dazzling performances. After all these years, they've still got it- and Tomlin, an Altman favorite, is particularly up to par with the snap-and-go dialogue.
As always, his direction must be taken with a grain of salt- you either love him or hate him, but the performances are what make this film soar.
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