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A Prairie Home Companion (2006)

PG-13 | | Comedy, Drama, Music | 9 June 2006 (USA)
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A look at what goes on backstage during the last broadcast of America's most celebrated radio show, where singing cowboys Dusty and Lefty, a country music siren, and a host of others hold court.

Director:

Robert Altman

Writers:

Garrison Keillor (screenplay), Garrison Keillor (story) | 1 more credit »
5 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marylouise Burke ... Lunch Lady
Woody Harrelson ... Dusty
L.Q. Jones ... Chuck Akers
Tommy Lee Jones ... The Axeman
Garrison Keillor ... GK
Kevin Kline ... Guy Noir
Lindsay Lohan ... Lola Johnson
Virginia Madsen ... Dangerous Woman
John C. Reilly ... Lefty
Maya Rudolph ... Molly
Tim Russell ... Stage Manager
Sue Scott ... Makeup Lady
Meryl Streep ... Yolanda Johnson
Lily Tomlin ... Rhonda Johnson
Tom Keith Tom Keith ... Himself - Sound Effects Man
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Storyline

A final live variety show broadcast via radio becomes a metaphor for the natural order of life. A concept and script by Garrison Keilor uses every natural and technical element of working with a tight and close ensemble producing a weekly show to sooth us and guide us through the natural but difficult transitions of aging, becoming less relevant and then dying as new, young life develops and strengthens during our final "performances." This is a rare film for it's remarkable cast and crew and one wonders how the great Robert Altman was able to gather them all at the same place and time to shoot this film. Written by Dave Seaman

Plot Summary | Add Synopsis

Taglines:

Live every show like it's your last. See more »

Genres:

Comedy | Drama | Music | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for risque humor | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Norwegian

Release Date:

9 June 2006 (USA) See more »

Also Known As:

Noches mágicas de radio See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend USA:

$4,566,293, 11 June 2006, Wide Release

Gross USA:

$20,342,852
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

All the music was recorded live. See more »

Goofs

At the beginning of the film Guy Noir leaves Mickey's Diner and walks to the Fitzgerald Theater where the program is performed. The theater is located up the street and around the corner from the diner. One would not approach the theater from the Diner and see the big neon sign. From his angle he walked up a block, turned right, walked one more block (parallel to the theater), then turned back around to face it. See more »

Quotes

[first lines]
Radio Announcer: Market reports today, barrows and gilts uh two hundred twenty to two hundred sixty pounds, they're lower at forty dollars uh sows are steady three hundred five hundred pounds thirty four to thirty seven dollars going over to feeder cattle, beef steers - one hundred twenty to one hundred fifty dollars and two hundred to three hundred
[fade out]
See more »

Crazy Credits

There is a credit for Sign Painter in the film, although it does not appear on the official site. See more »

Connections

Referenced in 500 Questions: Episode #2.1 (2016) See more »

Soundtracks

She Is More To Be Pitied Than Censured
Music & Lyrics by William B. Gray
Performed by Woody Harrelson & John C. Reilly
See more »

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User Reviews

 
Surprise, Surprise
19 April 2006 | by AMohajer1See all my reviews

Who knew that Lindsay Lohan could deliver a performance of this caliber? My friends and I, all movie aficionados, were stunned by her performance, albeit a supporting role. I never EVER thought I would utter those words. As mentioned earlier, Lohan's real acting debut is here.

Still, her's is highlighted by a magnificent ensemble, particularly Tomlin and Streep, who give dazzling performances. After all these years, they've still got it- and Tomlin, an Altman favorite, is particularly up to par with the snap-and-go dialogue.

As always, his direction must be taken with a grain of salt- you either love him or hate him, but the performances are what make this film soar.

Kudos!


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