In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kiting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kiting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the book the servant boy, Hassan, was a harelip (cleft upper lip), but that was left out of the film because it would have required two hours of makeup every day, it would have been difficult for the boy to act in the makeup, Director Mark Forster didn't want to put the boy through it, and it wasn't essential to the script. See more »
In the film, when Amir's father is buried, a wood coffin is used. Muslim burial rituals do not permit that. Rather, cloth coffin is used to wrap the dead, then he/she is deposited in the grave on the body's right side with face revealed and directed to Makkah. See more »
There is only one sin, only one. And that is theft. Every other sin is a variation of theft... When you kill a man, you steal a life. You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness.
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I just saw it at an advance screening I haven't read the book, but heard many good things about it.
The movie was absolutely fantastic, very moving. With a roller coaster of emotions you totally connect with the characters. Shaun Toub was great, it was a complete departure from his usual roles, and his acting for those who understand Persian/Dari was incredible.
One thing to notes it that Khaled Hosseini actually loved the film which is unusual for book adaptation movies. Even after seeing the movie several times "he was sobbing".
Also the animation from the intro was exquisite, with names displayed as if it were Persian calligraphy, very unique! At times the translation was not clearly conveying the message efficiently, but all in all this was a great movie.
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