In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kiting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kiting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Author Khaled Hosseini describes the filming (in Kashgar, China) of the Kabul kite tournament scenes: "There weren't actually any kites in the sky. We were just kind of looking up at these strings going up to these cables and hanging from the other side there were water bottles to give the string a sense of tension." To which director Marc Forster adds "Yes, because we had no wind." CG kites were added in post-production. See more »
In the scene at the stadium just before the Taliban official gives his speech there is a soccer game going on and most of the players are wearing shorts. The Taliban did not allow shorts or revealing clothes of any kind to be worn, even at an athletic event. They imprisoned and persecuted members of visiting Pakistani teams for wearing shorts. See more »
[regarding the mullahs, who teach that drinking alcohol is a sin]
I piss on the beards of all those self-righteous monkeys.
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This is truly one of those times when a film does great justice to a book!
I recently was lucky enough to see "The Kite Runner" in a small theater, surrounded by seasoned movie-goers who knew how to enjoy a masterpiece of such sophistication. With all the controversy surrounding this film's central scene these days, I was expecting a piece both crude and violent. But the way Mr. Forster handled the delicate subject was touching and really, deeply moving. Even though the film's credits indicated China as the main location for the shoot, I could have sworn I was seeing Kabul throughout the scenes which are meant to be taking place in Afghanistan. The acting, by non-professionals as well as professional actors, is excellent and the casting is magnificent. So, this is a movie I would see again and again, because though it is undeniably sad in its subject, the masterful way it has been made awakens a whole new hope in modern cinema.
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