In the 70's in Afghanistan, the Pushtun boy Amir and the Hazara boy Hassan, who is his loyal friend and son of their Hazara servant Ali, are raised together in Amir's father house, playing and kiting on the streets of a peaceful Kabul. Amir feels that his wise and good father Baba blames him for the death of his mother in the delivery, and also that his father loves and prefers Hassan to him. In return, Amir feels a great respect for his father's best friend Rahim Khan, who supports his intention to become a writer. After Amir winning a competition of kiting, Hassan runs to bring a kite to Amir, but he is beaten and raped by the brutal Assef in an empty street to protect Amir's kite; the coward Amir witness the assault but does not help the loyal Hassam. On the day after his birthday party, Amir hides his new watch in Hassam's bed to frame the boy as a thief and force his father to fire Ali, releasing his conscience from recalling his cowardice and betrayal. In 1979, the Russians ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the book the servant boy, Hassan, was a harelip (cleft upper lip), but that was left out of the film because it would have required two hours of makeup every day, it would have been difficult for the boy to act in the makeup, Director Mark Forster didn't want to put the boy through it, and it wasn't essential to the script. See more »
In the film, when Amir's father is buried, a wood coffin is used. Muslim burial rituals do not permit that. Rather, cloth coffin is used to wrap the dead, then he/she is deposited in the grave on the body's right side with face revealed and directed to Makkah. See more »
[regarding the mullahs, who teach that drinking alcohol is a sin]
I piss on the beards of all those self-righteous monkeys.
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The Kite Runner was beautiful, poignant and very moving. I particularly loved the two child actors in the film as well as the actor portraying the father. It really made me want to go back and read the book again.
The music was a wonderful part of the fabric of the movie. If there is a soundtrack coming out for the film, I will buy it to accompany my second reading of the book. It is also a visually stunning film. The cinematography was gorgeous and really added to experience.
The Brazilian word 'saudades' is very descriptive of how I felt at the end of the film..."it is a deep feeling of longing for someone or someplace, which is very sweet but also tinged with an inescapable sadness" (definition provided years ago by Antonio Carlos Jobim).
Saw it at a small cinema here for an advance screening. I would love to see it again on a really large screen with a tricked out sound system.
Can't wait for the formal release. I will definitely recommend the film to friends.
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