Cast overview, first billed only: | |||
Laura Tonke | ... | Karla Daus | |
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Richy Müller | ... | Axel |
Daniel Brühl | ... | Frank | |
Karina Fallenstein | ... | Birgit | |
Thure Lindhardt | ... | Julian | |
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Fabian Busch | ... | Jakob |
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Dagmar Sitte | ... | Krankenschwester |
Annika Blendl | ... | Hannah | |
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Andreas Schmidt | ... | Imbissbesitzer Hans |
Rolf Peter Kahl | ... | Marc (as RP Kahl) | |
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Rosa Enskat | ... | Schwangere |
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Emanuela von Frankenberg | ... | Mutter Karla |
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Frank Lüdecke | ... | Mann mit Meßgerät |
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Annette Gleichmann | ... | Kellnerin Club |
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Vera Baranyai | ... | Marie Daus |
Axel and Karla are an ill-matched couple in a borderline situation. The two meet in the hospital. Axel is keeping watch at his son's bedside and Karla is waiting for some sign of life from her sister. None of the doctors can tell them whether the young couple will come out of their comas after their serious accident. As the weeks of uncertainty, fear and tedium pass by; a peculiar relationship develops between Axel and Karla, sustaining both of them. The questions they put to their unknown counterpart increasingly become the questions they are asking themselves... Written by Philip S. Christensen
Farland - is a typical German movie. Just boring! The actors stand at the location like sculptures. Most of the time they does not say anything and if they say something then they speak "significant" sentences which are only stupid. No normal person, and the try to play "normal" persons in this movie , would talk this way!! The biggest disappointment is Daniel Brühl (Good Bye, Lenin!). The question is, why he is playing at this movie? His character, like all the characters, does not have any substance. At the close ups you see the faces which should show the "hurt souls" of the characters!! This movie is the best example for the uninspired major movie industry.