In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
Martha Fiennes screenplay "Mata Hari" represents the factual story not the mythological version of many inadequate and fabled stories about her life. Mata Hari, the ultimate femme fatal, was shot and killed by a firing squad October 1917.
1921. An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
The sheriff investigates a tipped over truck full of shoes. A cute woman is found dead. Forensics reveals that she died from a .22, not a truck, and she has a dick. As election of governor, sheriff etc. is near, things are tense.
Billy Bob Thornton,
Every family has its secrets and tries to hold them hidden within domestic walls. However, those of the family of Marcus Aylesbury are about to become public because of the family's long-time friend Trent, a journalist faithful to his ideals who, put under pressure by his editor, is looking for a "sexy-scoop".Written by
Don't eat the fish unless you want your kids to have gills.
What's wrong with it?
Oh don't get me going. It's got growth hormones, antibiotics, carcinogenic PCBs...
I presume the soap box you preach from is made from sustainable resources.
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So far only seen at Cambridge /Oxford special showings.
A visually distinctive, intelligent, beautifully scripted, classy contemporary drama.
Marcus, a successful lawyer (Damian Lewis) is the son of a High Court Judge (Ian Holm) now married to a dog-&-garden-obsessed - though emotionally repressed wife, (Harriet Walter). Gloria - an immigrant, single mum and Hep C suffering sex worker is played by Penelope Cruz - who finds herself aggressively resisting the tentative aid of a fragile social services worker, (Rhys Ifans). Marcus's wife, Iona (Kristin Scott Thomas) is a privileged, sexually frustrated, shoppaholic mother who becomes perturbed by her young son's relationship with his godfather, (Ralph Fiennes). At work, Marcus unwittingly discovers a momentous secret - ripe for exploitation by his old friend Trent (Ben Chaplin), a struggling investigative journalist, desperately in need of a break.
The stories interweave with others and the film explores the psychology, dynamics and value systems of modern city life. Each character is forced to confront their lives and their disengaged flawed lives they inhabit.
A brilliant cast all acting their socks off, the movie is a thought provoking visual feast. This is a thinking, feeling emotional/ psychological film. Gripping and sumptuous. It is a contemporary and challenging.
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