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Blood and Bones (2004)

Chi to hone (original title)
In 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of ... See full summary »

Director:

Yôichi Sai

Writers:

Sogil Yan (novel), Yôichi Sai (screenplay) | 1 more credit »
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18 wins & 8 nominations. See more awards »

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Cast

Credited cast:
Takeshi Kitano ... Joon-pyong Kim
Hirofumi Arai ... Masao Kim
Tomoko Tabata Tomoko Tabata ... Hanako Kim
Joe Odagiri ... Takeshi Park
Kyôka Suzuki Kyôka Suzuki ... Yong-hee Lee
Yutaka Matsushige ... Nobuyoshi Ko
Mari Hamada ... Sadako Toritani
Yûko Nakamura Yûko Nakamura ... Kiyoko Yamanashi
Kazuki Kitamura ... Yoshio Motoyama
Shûji Kashiwabara Shûji Kashiwabara ... San-myung Jang
Susumu Terajima Susumu Terajima ... Hee-bom Park
Atsushi Itô Atsushi Itô ... Yong-il / Young Joon-pyong
Miako Tadano Miako Tadano ... Chun-mi Kim
Mami Nakamura Mami Nakamura ... Sanae Otani
Rest of cast listed alphabetically:
Jae Baxley Jae Baxley ... Fight Spectator
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Storyline

In 1923, the Korean teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees. He makes fortune, abuses and destroys the lives of his wife and family, having many mistresses and children and showing no respect to anybody. Later he closes the factory, lending the money with high interests and becoming a loan shark. His hatred behavior remains until his last breath, alone in North Korea. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

Japan

Language:

Korean | Japanese

Release Date:

6 November 2004 (Japan) See more »

Also Known As:

Blood and Bones See more »

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Box Office

Cumulative Worldwide Gross:

$4,586,617
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of Japan for the 'Best Foreign Language Film' category of the 78th Academy Awards in 2006. See more »

Connections

Referenced in Glory to the Filmmaker! (2007) See more »

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User Reviews

 
Godfather, the Far East version
29 December 2011 | by dromascaSee all my reviews

Blood and Bones is a violent epic story whose hero is a Zainichi Korean which is the name of the ethnic Koreans settled in Japan, many of them during the first half of the 20th century when Korea was under Japanese rule. Director Yoichi Sai's father was a Zainichi Korean, so the social medium must be well known to him. His ambitious project describes the tough life of the community through the story of the life of Joon-pyong Kim who comes as a young and hopeful immigrant before WWII to get enrolled in the Japanese army, and at the return to embark in a life of crime, violence and family abuse which sees his ascension to and decay, while confining most of the action in the space of the same street in the Korean immigrants district.

The ambition of the project and the breath of the epic brought me to mind the parallel to 'The Godfather'. The combination between a family saga and the crime environment may be the same, but there is one crucial difference between Sai's and Coppola's films - while both characters are similarly despicable in crime, the attitudes to their families are radically different. For Coppola's characters family values are at the highest possible level, while Sai's character (magistrally acted by Takeshi Kitano) is a violent tyrant, causing suffering to everybody he gets in touch with, harming them physically and psychically and destroying their lives. It is almost the most perfect study in evil I have seen since Hannibal Lecter, just missing his wit and sophistication.

There is a lot to appreciate in this film, starting with Kitano's performance and that of the rest of the team, passing through the fluent story telling, and ending with the refined cinematography which uses basically the same set for the duration of the action (which spreads on many decades) marking the passing of time with small changes in colors or accessories. It is not easy to follow if you do not absorb easily violence on screen, but otherwise it is a good story and a credible piece of history of Japan and its reflection in cinema whose details I at least have become aware about only now.


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