The living dead have taken over the world, and the last humans live in a walled city to protect themselves as they come to grips with the situation.


George A. Romero
2 wins & 17 nominations. See more awards »





Cast overview, first billed only:
Simon Baker ... Riley Denbo
John Leguizamo ... Cholo DeMora
Dennis Hopper ... Kaufman
Asia Argento ... Slack
Robert Joy ... Charlie
Eugene Clark ... Big Daddy
Joanne Boland ... Pretty Boy
Tony Nappo ... Foxy
Jennifer Baxter ... Number 9
Boyd Banks ... Butcher
Jasmin Geljo ... Tambourine Man
Maxwell McCabe-Lokos ... Mouse
Tony Munch ... Anchor
Shawn Roberts ... Mike
Pedro Miguel Arce ... Pillsbury


Now that zombies have taken over the world, the living have built a walled-in city to keep the dead out. But all's not well where it's most safe, as a revolution plans to overthrow the city leadership, and the zombies are turning into more advanced creatures. Written by Anonymous

Plot Summary | Plot Synopsis


The dead shall inherit the Earth. See more »

Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and gore, language, brief sexuality and some drug use | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


This movie's Pittsburgh premiere was at the Byham Theatre, which used to be called the Fulton Theatre. This theater, when it was still the Fulton, was the same theater where Night of the Living Dead (1968) premiered in 1968. See more »


When Riley makes a run for "Dead Reckoning" after lowering the drawbridge, he is clearly aiming far left of the first zombie he "shoots". See more »


Kaufman: [as Cholo approaches from the shadows] Fucking Spic bastard!
See more »

Crazy Credits

The old mid-1930s Universal Pictures logo begins the film. See more »

Alternate Versions

To secure an M18 rating in Singapore, two scenes needed to be axed. The first being the scene where a zombie stomps on the head of another, and the second depicting the decapitation of a zombie towards the end of the show. The uncut version is rated R21. See more »


Followed by Survival of the Dead (2009) See more »


Speak Too Much
Written by Gabriel Isaac Mounsey
Performed by R3kl355 / Mass
See more »

User Reviews

2 December 2005 | by Thirdover4See all my reviews

Let me start by saying I'm a big fan of George Romero's previous films, especially the dead series. I thought he really hit his stride with Day of the Dead making a slick, structurally sophisticated continuation of his original idea. Not many people can pull off a sequel and I thought he did it twice with Dawn and Day. I also think he had something quite interesting to say with each of those films, layering thematic commentary under the story without distracting from main story elements or themes. His films were always about the shortcomings of man and the inability to work together in the face of danger. His films were always about the people, not the zombies.

But now he has tried so hard to make a political statement that he has hammered into his own genre at the expense of the film. It was interesting in Day when the scientist discovers that a zombie can regain some latent memory and begin to function in a more human way. I was very powerful when that zombie musters up just enough motor skill and latent memory to shoot the villain. It feels like a stretch to say that the zombies, or even the one zombie, in Land could make a conversion of understanding that leads an all out revolt. On an intellectual level, I understand it, but it just didn't work for me. This seems to me like a bigger deviation from the Romero concept then some of the things complained about in the many Romero inspired films recently.

The world described in the previews and press material doesn't seem fully realized. There is a huge divide between the rich and the poor. Why? How did it get that way. It doesn't seem like that would function well under the circumstances of the world as it is, especially in a small society. Why don't we find out anything about how this place works? How does Denis Hopper maintain his power? It is presented as a concept without any real thought. In the original film "The Island of Lost Souls" Doctor Moreau controls his population of beasts with fear. He cracks the whip, recites the law, and talks about the house of pain, which the audience knows to be the doctor's laboratory, but the beasts know it as a building where screams are heard. This is a stunningly well designed political metaphor. In Land of the Dead, I couldn't help thinking that the underlying political message was driving the story and that questionable things were written into the story for the wrong reasons. Money is a major plot device. Denis Hopper tries to escape the city with two large bags of money. What good is money outside the city? I was wondering, what good is money inside the city? Money only works if people believe in the underlying value of it. Most countries in the real world can't keep a stable currency. There is an aerial shot of the city during the day showing the streets deserted. Why are the streets deserted? Where are all the people? Later we see the same shot only the streets are now filled with Zombies. The characters keep talking about going to Canada as a safe haven. Why? Why is Canada safer than the United States. I was left to believe that this was more political commentary. Why are the Zombies trying to get to the city? They seem to be driven by some underlying, dare I say it, political motivation.

The film as a whole seemed less like a story of characters in a horrific world established in the earlier films, and more like a series of one dimensional vignettes based on thin political ideology – Rich verses poor, violence in America, mismanagement of government in post 9-11 society, negotiating with terrorists, yeah we get it. Not so subtle.

6 of 7 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 693 user reviews »

Frequently Asked Questions

See more »



France | Canada | USA


English | Spanish | Italian | Polish | French

Release Date:

24 June 2005 (USA) See more »

Also Known As:

Dead Reckoning See more »


Box Office


$15,000,000 (estimated)

Opening Weekend USA:

$10,221,705, 26 June 2005

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


| (director's cut)

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »

Contribute to This Page

Recently Viewed