- Writers
- William Broyles Jr.(screenplay)
- Paul Haggis(screenplay)
- James Bradley(book)
- Stars
- Writers
- William Broyles Jr.(screenplay)
- Paul Haggis(screenplay)
- James Bradley(book)
- Stars
- Writers
- William Broyles Jr.(screenplay)
- Paul Haggis(screenplay)
- James Bradley(book)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the Cannes Film Festival, filmmaker Spike Lee criticized producer and director Clint Eastwood for not displaying African-American Marines who had fought on Iwo Jima. Eastwood's response was that the movie was about the marines who raised the flag on Mount Suribachi. He went on to explain that although African-Americans did fight on Iwo Jima (some can be seen during the briefing scene), the Marine Corps was segregated during World War II, and none of the men who raised the flag were black. Eastwood finally told Lee to "shut his face". Through the media, Lee responded that Eastwood was being an angry old man. Lee was filming Miracle at St. Anna (2008) at the time, a movie about four black soldiers fighting World War II in Italy.
- GoofsIn explaining the importance of a successful bond drive, the treasury representative says that the fuel dumps are empty and "our Arab friends only take bullion." At the time of World War II, America was essentially self sufficient in oil production and not dependent on Arab oil. While oil was discovered in some Arab countries before the war, it was not extensively developed until after the war.
- Quotes
[last lines]
James Bradley: I finally came to the conclusion that he maybe he was right. Maybe there's no such thing as heroes. Maybe there are just people like my dad. I finally came to understand why they were so uncomfortable being called heroes. Heroes are something we create, something we need. It's a way for us to understand what's almost incomprehensible, how people could sacrifice so much for us, but for my dad and these men, the risks they took, the wounds they suffered, they did that for their buddies. They may have fought for their country but they died for their friends. For the man in front, for the man beside him, and if we wish to truly honor these men we should remember them the way they really were, the way my dad remembered them.
- Crazy creditsThere is an additional short sequence after the credits have ended.
- SoundtracksKnock Knock
Written and Performed by Kyle Eastwood, Michael Stevens, Andrew McCormack and Graeme Flowers
The war sequences are skillfully executed. It reminds me of the early sequences of 'Saving Private Ryan' as its shot with washed out colours and the scenes are just as visceral and hard-hitting. They are extremely effective as are the scenes where the three survivors are being paraded by officers in order to sell military bonds. The real truth is ignored, the illusion of a photo is confirmed as truth, the three soldiers are burning in the inside while obliged to parade themselves and then they are left with nothing, just memories of the war. Eastwood has also briefly but effectively tackled the racism theme. Even the label of a hero was not enough for Hayes to get a drink at a bar.
Haggis's writing is solid. War isn't glorified and the aftereffects are shown with subtlety rather than blatant preaching. The editing is tight as the movie flows at a smooth pace. It starts off with the war sequences and then follows the three surviving flag-raisers revisiting the war in flashbacks. Eastwood's soundtrack is intense and gives voice to the unspoken words. All the performances are good but it is Jesse Bradford, Adam Beach and Ryan Phillipe who stand out as the three survivors, particularly Phillipe who is restrained.
'Flags of Our Fathers' an important side of the war that almost vanished into oblivion but thanks to Eastwood and his team, many people today will know about it.
- Chrysanthepop
- Sep 1, 2009
Details
Box office
- 2 hours 15 minutes
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