7.0/10
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12 user 23 critic

Tickets (2005)

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket... See full summary »

Writers:

Ermanno Olmi (screenplay), Abbas Kiarostami (screenplay) | 1 more credit »
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Carlo Delle Piane ... Professor
Valeria Bruni Tedeschi ... PR Lady
Silvana De Santis Silvana De Santis ... Italian Lady
Filippo Trojano Filippo Trojano ... Filippo
Martin Compston ... Jamesy
Gary Maitland Gary Maitland ... Frank
William Ruane ... Spaceman
Blerta Cahani Blerta Cahani ... Albanian Family Girl
Klajdi Qorraj Klajdi Qorraj ... Albanian Family Boy
Aishe Gjuriqi Aishe Gjuriqi ... Albanian Family Mother
Sanije Dedja Sanije Dedja ... Albanian Family Grandmother
Kledi Salaj Kledi Salaj ... Albanian Family Baby
Edmond Budina Edmond Budina ... Albanian Family Father
Danilo Nigrelli Danilo Nigrelli ... Man With Mobile
Carolina Benvenga Carolina Benvenga ... Girl
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Storyline

A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

See all certifications »
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Details

Country:

Italy | UK

Language:

Italian | English | German | Albanian | Persian

Release Date:

25 March 2005 (Italy) See more »

Also Known As:

Biletler See more »

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Box Office

Cumulative Worldwide Gross:

$367,072
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Goofs

The form of the text that the Italian pharmacologist is writing on his laptop is inconsistent between the close-up shots and the longer-distance ones: the laptop is a Windows machine, and the longer-distance show the Windows operating system, but the close-ups are of the modern Macintosh operating system. See more »

Soundtracks

The Celtic Song
by Liam Mallory
(c) Onward Music Ltd
See more »

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User Reviews

 
Thank God for Ken Loach
30 December 2010 | by DC1977See all my reviews

And thank God that his segment was last because it rescued what until then had been a dull, pointless film.

If his piece had been set at the start of the train journey, the other two sections would have seemed even more disappointing and excruciating.

I've always admired the way Loach has continued to use cinema as a means of social commentary. I don't always agree with his message particularly when it is surprisingly naive and unfounded (Bread and Roses being a prime example) but his films are always worth seeing.

Thankfully, his piece about a trio of Celtic fans travelling to Rome is the standout in this film in the same way as his contribution had been to 11'09''01 - September 11.

What had gone before it was pretty dire. First of all, there had been the story of a Roy Scheider lookalike Professor and a PR lady who inexplicably has the hots for him.

As he is about to board the train, he says to her that they have never met before even though she was with him earlier and booked the tickets! Maybe there was something going on there that I missed...

The next section involved an incredibly annoying old battle-axe, a General's widow, a man on community service who accompanies her and a whole series of boring, pointless discussions and encounters. One such encounter was between the man and a 14 year old girl he had known several years earlier that made me worry a little about where it was going.

In fact, it didn't lead anywhere at all; it was as tedious and unnecessary as the rest of that story.

Loach's work isn't one of his best but it was good enough to improve something that was pretty dreadful and leave us with a mediocre film that ended on a high note.

I would recommend skipping the first two stories altogether and just watch Loach's instead. Everything that went before it is really not worth the bother.


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