A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player ...
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A musical set in the Prohibition-era American South, where a speakeasy performer and club manager Rooster must contend with gangsters who have their eyes on the club while his piano player and partner Percival must choose between his love, Angel or his obligations to his father.Written by
Paula Patton openly admitted that she's not a singer. She sang a few riffs for her audition, but aside from the scene in which her character and Percival rehearse for her first stage performance, she didn't sing in the movie. Debra Killings did the rest of her character's singing. See more »
Rooster's first big song starts with the camera on Percival playing the piano. A few seconds later, Rooster dances around the stage and no one is at the piano. See more »
[Out of breath]
What... was... that... you... told... me... Spatz? Never... never... bring... a... knife... to... a... gun... fight?
You son of a bitch jackass
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The credits play over a musical dance number by Percival See more »
Considering the fact that this was a movie starring two rappers, I wasn't expecting much. I was very pleasantly surprised. Outkast aren't just any old rappers, as their fans could no doubt inform you. Most of their material, even though much of it is anachronistic for a film set in the 1930s, nonetheless, fit the movie quite well. Some of the pieces, of course, aren't rap. Indeed, Andre 3000 might as well no longer be called a rapper, considering the breadth of his material. The plot was surprisingly well thought out. It had a certain symmetry, yet was not completely predictable. I enjoyed the whole thing, and didn't have to close my eyes thinking "this is so stupid" all through the film.
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