A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent... See full summary »
In Paris, thirty-one-year-old gay fashion photographer Romain learns he has a terminal cancer. As chances with chemotherapy are only slim, he chooses to live the rest of his life without treatment or mollycoddling, hiding the truth from his lover Sasha and his family, being cruel to kindly push them away. He visits his estranged grandmother Laura for a few days and has a small talk with a waitress he chance meets along the way, a waitress who, upon a second chance meeting, asks him for an unusual favor. Romain returns to Paris where he privately puts his affairs in order and awaits the end.Written by
Claudio Carvalho, Rio de Janeiro, Brazil / revised by statmanjeff
François Ozon (Water Drops on Burning Rocks, 8 Women, Swimming Pool, 5X2) is one of the most fascinatingly talented French directors on the scene today. His films have a simplicity, a direct approach to the mind and the heart, and an extreme respect for both his actors and his audience - factors that allow him a means for communication that is rare and proves he has few equals. In LE TEMPS QUI RESTE (Time to Leave) he addresses that earth-shattering moment of being informed that death is imminent and shows us how one character copes with that information and how it changes his remaining days and his history of relating to others.
Romain (Melvil Poupaud) is a handsome and successful fashion photographer who is gay, has a lover Sasha (Christian Sengewald), but is somewhat estranged from his family. For some reason he cannot relate to his pregnant sister Sophie (Louise-Anne Hippeau) despite his mother's (Marie Rivière) pleading and his father's (Daniel Duval) distance. During a fashion shoot Romain faints, is taken to the doctor (Henri de Lorme) who informs him he has metastatic cancer for which there is little hope (except for chemotherapy and radiation therapy) that he will live past a few months. Romain opts to go without treatment and begins to face his remaining life with silent gloom. After a very sensuous sexual encounter with Sasha (Ozon holds nothing back in depicting this!), Romain decides to quit his job, tells Sasha to leave, separates from his family, and visits his beloved grandmother Laura (Jeanne Moreau, as exciting an actress as ever!) who shares her philosophy of living and dying and bonds even more closely with the grandson who mirrors her own life. Her sage wisdom is what grounds Romain.
Romain, alone, travels about France, meets a sweet couple in a café - Jany (Valeria Bruni Tedeschi) and her husband Bruno (Walter Pagano) who are unable to have children - and after consideration Romain consents to comply with their request to impregnate Jany but only if Bruno is part of a ménage a trois in the process. The couple discovers Romain is dying after Jany becomes pregnant and Romain for the first time is able to show tenderness in his relationship with them. Somewhat changed in outlook Romain returns home, has a tender talk with his father who accepts his son's sexuality, attempts a reconciliation with Sasha unsuccessfully, and even responds to a letter from Sophie. His missions completed he travels to the ocean where the film ends in one of the most beautifully subtle, tender and genuinely realistic ways.
In every way this film is satisfying. The actors are to the person excellent with Melvil Poupaud, Jeanne Moreau and Valeria Bruni-Tedeschi particularly outstanding. But the kudos go to writer/director Ozon who once again proves that his enthusiasm for his field of art is boundless. He is one of the more important figures in cinema today. A brilliant, quiet, immensely satisfying film. Grady Harp
27 of 38 people found this review helpful.
Was this review helpful to you?
| Report this