A fashion photographer with terminal cancer elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling ... See full summary »
Modern retelling of Hansel and Gretel. After committing a murder, a young couple on the run find refuge in a remote cottage in the woods, where they become trapped by the perverse hermit who lives there.
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
After losing her virginity, Isabelle takes up a secret life as a call girl, meeting her clients for hotel-room trysts. Throughout, she remains curiously aloof, showing little interest in the encounters themselves or the money she makes.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
In Paris, thirty-one-year-old gay fashion photographer Romain learns he has a terminal cancer. As chances with chemotherapy are only slim, he chooses to live the rest of his life without treatment or mollycoddling, hiding the truth from his lover Sasha and his family, being cruel to kindly push them away. He visits his estranged grandmother Laura for a few days and has a small talk with a waitress he chance meets along the way, a waitress who, upon a second chance meeting, asks him for an unusual favor. Romain returns to Paris where he privately puts his affairs in order and awaits the end.Written by
Claudio Carvalho, Rio de Janeiro, Brazil / revised by statmanjeff
The Canon IXUS i5 is not turned on when Romain uses it. See more »
[Romain's mother expresses her interest in Romain taking photographs of the family]
Save you breath, Mom. We're not hip enough. He prefers actresses and models.
Don't say that. He just hasn't had time yet.
No, she's right.
Why do you say that?
I don't want to photograph her kids.
Leave it, Dad.
And you know why? Because they sprang from you, and your ugly mug would be in the picture. It makes me want to puke.
[...] See more »
Ozon is a strange figure. Strange in a sense that actually makes him normal: sometimes controversial, sometimes authentic, but always a great analyst of the emotion's spectrum.
It becomes clear really early that the film will be more of a contemplative portrayal of death than a daring fight lead against it. And sometimes it's better that way, to take things as they come. Thirty one year old Romain isolates himself from his family and friends and deals with several stages of the whole "accepting death" experience. A so dreaded experience. Consequently, the film is distant and may seem tedious at times, but all the means serve their purpose.
"Le temps qui reste" (gorgeous title, I feel obliged to emphasize this) is a difficult film: homosexuality, solitude and death are themes which few can bear light-heartedly. Still, Romain's process of severing himself from himself is intriguing at all times and the film's final sequence is of a most sincere impact. It's about adapting to the idea of dying in a glacial modern society.
We are generally alone in this world and all we have is our family. And if we lose that, we are left with thoughts, never to be forgotten. Le temps qui reste.
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