It is no "bullet-shit" that the enthralling independent film "American Gun" does fire major points on the American gun control issue within its intertwining plot. However, it is also no "bullet-shit" that "American Gun" did misfire with one of its story lines. A la "Crash", "American Gun" includes various characters within several story lines that focus on a controversial social issue. What struck me about "Crash" was its creative precision to detail on how the social issue (in 'Crash"- racism) all interconnected. In "American Gun" there are separate situations that are "bullet-proof", but hold no fundamental connective qualities on the gun control issue.
Here are my on-target shots of "American Gun": 1) On target: Marcia Gay Harden was mesmerizing as a mother of a fallen youth assailant who murdered several students and teachers in school grounds three years ago. Her story focuses on how she combatively tries to overcome the tragedy , and her challenge to supersede the pain by avidly trying to support her other son. 2) On target: Forest Whitaker's captivating performance as a high school principal who is dealt with the challenge of a youth gun control problem at the school he pilots. In other words, "Run, Forest, Run" before your students run the asylum well-armed. 3) On target: Tony Goldwyn's golden acting duty portraying a police officer who is guilt-ridden that he could not be more proactive in preventing the aforementioned school violence tragedy. 4) On target: Novice Writer-Director Aric Avelino's film-making & screen writing machinery efforts in the School Gun Control and the Grieving Mother/Remorseful Officer story lines.
Here are the misfires of "American Gun": 1) Misfire: Donald Sutherland's phlegmatic performance as a gun owner who tries to connect with his alienated granddaughter. 2) Misfire: The aforementioned storyline which had no relevance or impact to the American gun control issue. In other words, it had me gunning for more.
OK, that's it! I am a gunner , I mean "goner" with this one! *** Average
