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Match Point (2005)

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At a turning point in his life, a former tennis pro falls for an actress who happens to be dating his friend and soon-to-be brother-in-law.

Director:

Woody Allen

Writer:

Woody Allen
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Popularity
1,784 ( 56)
Nominated for 1 Oscar. Another 11 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jonathan Rhys Meyers ... Chris Wilton
Alexander Armstrong ... Mr. Townsend
Paul Kaye ... Estate Agent
Matthew Goode ... Tom Hewett
Brian Cox ... Alec Hewett
Penelope Wilton ... Eleanor Hewett
Emily Mortimer ... Chloe Hewett Wilton
Janis Kelly Janis Kelly ... 'La Traviata' Performers
Alan Oke Alan Oke ... 'La Traviata' Performers
Mark Gatiss ... Ping-Pong Player
Scarlett Johansson ... Nola Rice
Philip Mansfield Philip Mansfield ... Waiter
Simon Kunz ... Rod Carver
Geoffrey Streatfeild Geoffrey Streatfeild ... Alan Sinclair
Mary Hegarty Mary Hegarty ... 'Rigoletto' Performer
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Storyline

From a humble background and with traditional values, Irish Chris Wilton is still struggling financially despite being a recently retired high ranked tennis pro. He has taken a job as a tennis instructor at an upscale London tennis club, although he knows there is a better life for him somewhere down the road. He is befriended by one of his students, wealthy Tom Hewett. Chris starts to date Tom's sister, Chloe Hewett, a girl-next-door type who is immediately attracted to Chris. Chloe quickly knows she wants to marry Chris, and through her businessman father, Alec Hewett, tries to help Chris and their future by getting him an executive job in Alec's company. In his life with the Hewetts, Chris begins to enjoy the finer things in life. Through it all however, Chris cannot help thinking about Nola Rice, a struggling American actress who he meets at the Hewett estate and who is Tom's unofficial fiancée. Nola is vivacious, and she knows the effect she has on men, including Chris. Unlike ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There are no little secrets. See more »


Motion Picture Rating (MPAA)

Rated R for some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

DreamWorks [United States]

Country:

UK | Ireland | Luxembourg

Language:

English

Release Date:

20 January 2006 (USA) See more »

Also Known As:

Woody Allen Summer Project See more »

Filming Locations:

Belgravia, London, England, UK See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

£751,992 (United Kingdom), 8 January 2006, Limited Release

Opening Weekend USA:

$529,434, 1 January 2006

Gross USA:

$23,089,926

Cumulative Worldwide Gross:

$87,989,926
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital (Mono)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The family name "Hewett" is a play on the ultra exclusive Manhattan private school Hewitt, which Woody Allen's daughters attend. See more »

Goofs

The computer screens on the detective's desk read 'London Police,' which does not exist. It should read Metropolitan Police, City of London Police, or British Transport Police. See more »

Quotes

[first lines]
Christopher "Chris" Wilton: The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.
See more »

Connections

Referenced in Paris-Manhattan (2012) See more »

Soundtracks

Mal reggendo all'aspro assalto
from "Il Trovatore"
Libretto by Salvatore Cammarano
Libretto by Francesco Maria Piave
Performed by Enrico Caruso
Courtesy of Sony BMG Entertainment Inc.
Licensed by Sony BMG Special Markets
See more »

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User Reviews

 
Clever, polished, stunner with a lot to say about morality and fidelity
8 January 2006 | by mstomasoSee all my reviews

Match Point just joined Brokeback Mountain and Cinderella Man in the top three films for me this year. Like Brokeback Mountain, however, it is almost impossible to write a reasonably intelligent review without writing a spoiler.

I have been a hot and cold Woody Allen watcher, but was only a fan during his comedic phase. So, despite hearing from a few reliable sources that this is Woody's masterpiece, I was skeptical and went in with few expectations. I am glad. Approaching the movie this way allowed it to creep up on me.

The NYC Jewish dialog is gone. The quirky sense of humor is nowhere to be found. the hypersensitivity is missing. Where's Woody? Well, he's in London, but the place and time, despite the opinions of some critics, are largely irrelevant in this film.

There is only one line in this film that indicates its origin - it has something to do with 'intertwined neuroses' and nearly made me laugh.

The first 3/4ths of this film is almost completely taken up with character development, but also contains all of the basics of the inexorable plot that truly unfolds near the end. The characters are all quite likable, and, if you're like me, you will yearn for a happy ending. Watch out! - you've just been hooked and Woody's about to reel you in!

Match Point draws its audience in quietly and slowly at first, defining its territory as a smart, hip, and sophisticated character study early on (in no way unexpected for Mr. Allen), but then it takes an irreversibly sinister turn as one man threatens to bring everybody we have grown to love and respect down with him.

The performances and cinematography in this film are all-around the best I've seen this year. Allen uses a lot of very close-in face shots, and his cast handles it with ease, performing their parts with accuracy and no lack of passion. Jonathan Rhys Meyers, Emily Mortimer, and Scarlett Johanssen are all excellent, and the rest of the cast lends excellent support. I found no fault in the pace or the plot - this is easily Woody's most plot-heavy film, and you can tell that he had a great time putting it together.

The story line of Match Point is powerful, disturbing, and exceedingly clever. Philosophical folks will likely want to talk about it afterward. Some will find it frustrating and others will find it pretentious. Still others will point to Woody's own life and claim that this film is some form of perverse confession. Well, from my perspective, it is simply damn good story-telling.

Highly recommended for adult audiences.


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