A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
From a humble background and with traditional values, Irish Chris Wilton is still struggling financially despite being a recently retired high ranked tennis pro. He has taken a job as a tennis instructor at an upscale London tennis club, although he knows there is a better life for him somewhere down the road. He is befriended by one of his students, wealthy Tom Hewett. Chris starts to date Tom's sister, Chloe Hewett, a girl-next-door type who is immediately attracted to Chris. Chloe quickly knows she wants to marry Chris, and through her businessman father, Alec Hewett, tries to help Chris and their future by getting him an executive job in Alec's company. In his life with the Hewetts, Chris begins to enjoy the finer things in life. Through it all however, Chris cannot help thinking about Nola Rice, a struggling American actress who he meets at the Hewett estate and who is Tom's unofficial fiancée. Nola is vivacious, and she knows the effect she has on men, including Chris. Unlike ...Written by
Four famous tennis players are mentioned by the film's characters: Andre Agassi, Greg Rusedski, Tim Henman and Rod Laver. See more »
When Chris and Chloe have dinner with Tom and Heather, Heather's hair is in front of her face in one shot, and tucked behind her ear a second later, even though she never touches it. See more »
Christopher "Chris" Wilton:
The man who said "I'd rather be lucky than good" saw deeply into life. People are afraid to face how great a part of life is dependent on luck. It's scary to think so much is out of one's control. There are moments in a match when the ball hits the top of the net, and for a split second, it can either go forward or fall back. With a little luck, it goes forward, and you win. Or maybe it doesn't, and you lose.
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I was lucky enough to see this film at the Cannes Film Festival recently where it screened out of competition. Being a Woody Allen fan, I was just hoping the film would be OK and not a disaster like some of his most recent films. Boy, was I surprised! MATCH POINT is easily his best film since CRIMES AND MISDEMEANOURS and once of his best ever. In his first foray out of Manhattan and into London, you would have thought he had lived there all his life. This film is a masterpiece and is a sure bet to win critical acclaim and many awards. Jonathan Rhys Meyers is a revelation and finally lands a role of a lifetime as a young man who enters the world of the wealthy elite and would do anything to stay there. Scarlett Johansson has never looked as sultry and sexy as she does here playing the cool femme fatale. The film is beautifully structured and the performances by all and sundry are exemplary. Emily Mortimer and Brian Cox stand out among the supporting cast. The film has so many layers and so many unexpected twists that this is obviously the work of a genius director in full flight.
What can I say. The best way to see this film is without knowing too much about it as I did and you will come away from it declaring that Woody Allen is still alive and kicking and still able to make a masterpiece even after all these years.
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