Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
A young journalist comes to the aid of a homeless man who claims he is a former heavy weight title contender. Seeing a chance to redeem his struggling career, the writer's story of the champ's life raises questions about the past that will threaten all he holds dear.Written by
The story was inspired by the article "Resurrecting the Champ" by J.R. Moehringer, which appeared in the Los Angeles Times Magazine in 1997. Although the article indeed purportedly focused on Bob Satterfield, there are various other differences with the true story. Moehringer had no children, and his father was not well-known, though he did abandon his family, when the writer was an infant. See more »
When Erik leaves Champ at the house they were conversing in front of, Champ is shown standing on the curb as he contemplates knocking on the door of the house. Then, as Erik is driving away, he looks into his rear-view mirror, and Champ is instantly shown standing in the middle of the street instead of on the curb. See more »
He lost to Harold Johnson and to Nino Valdez. That win to Valdez catapulted him into the national statistics spotlight also. Charles, 32 years old, Satterfield, 30. Here's round two. 189 for Charles, 180 for Satterfield. Charles is in the white trunks.
Erik Kernan Jr.:
A writer, like a boxer, must stand alone.
Satterfield has surprised all tonight with his right.
Erik Kernan Jr.:
Having your words published, like entering a ring, puts your talent on display. And there's nowhere to hide. The truth is ...
[...] See more »
Okay, the film is actually pretty good and a far cry from what I expected, though nowhere near as good as a 10 Star film that I've seen listed on many of these comments. The film is passable, and even enjoyable at times, with a good message and a meaningful story about fathers and sons at its core.
Hartnett, like the rest of the cast, do a serviceable job and the acting is pretty good throughout the film, though people thinking Jackson will win or even be nominated for a flick like this need to put down the Kool Aid. It's a nice little film, a modest surprise even, but hardly anything award worthy.
You can read my full review online at RazorFine Review.
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