| Cast overview: | |||
| Ryan Larkin | ... | Self - Interview Voice (voice) | |
| Chris Landreth | ... | Self - Interview Voice (voice) | |
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Felicity Fanjoy | ... | Self - Interview Voice (voice) |
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Derek Lamb | ... | Self - Interview Voice (voice) |
Chris Landreth introduces himself to us in a funky restroom and then introduces the film's subject, Ryan Larkin, a brilliant animator in the 1960s and early 1970s. Chris shows us clips of "Walking" and "Street Musique," Ryan's ground-breaking shorts. We now see Ryan as he is: emaciated, alcoholic, much of his mind gone; we meet Felicity Fanjoy, his love during his creative period, and Derek Lamb, his producer. Ryan talks to Chris in the dining hall of what is probably a homeless shelter or soup kitchen. Chris tries an intervention. We follow Ryan out into the street where he panhandles. The animation, which uses live footage, reveals the ravaged burned-out graceful man. Written by <jhailey@hotmail.com>
Don't follow the genre at all so I have no idea how unique the effects are. Just happened to catch it on the CBC indie show Zed and was reminded about it when I heard it got an Oscar nomination. And I must say, this is a rare instance where you see a new technology being applied in a way that actually enhances every aspect of what happens to be a deep and touching story. As opposed to today's big budget CGI which provides little more than a cheap thrill. I can imagine if I were in Ryan's shoes in his regrettable state, I would feel exactly like the stripped down fragments of skin, bone, tendons and random Rube Goldberg parts he's depicted as. A must see film, and not only because of the gorgeous animation. 10/10