| Cast overview, first billed only: | |||
| Jordi Mollà | ... | King Philip ll of Spain (as Jordi Molla) | |
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Aimee King | ... | Infanta |
| Cate Blanchett | ... | Queen Elizabeth I | |
| Laurence Fox | ... | Sir Christopher Hatton | |
| John Shrapnel | ... | Lord Howard | |
| Geoffrey Rush | ... | Sir Francis Walsingham | |
| Susan Lynch | ... | Annette | |
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Elise McCave | ... | Laundry Woman |
| Samantha Morton | ... | Mary Stuart | |
| Abbie Cornish | ... | Bess Throckmorton | |
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Penelope McGhie | ... | Margaret |
| Rhys Ifans | ... | Robert Reston | |
| Eddie Redmayne | ... | Thomas Babington | |
| Stuart McLoughlin | ... | Savage | |
| Clive Owen | ... | Sir Walter Raleigh | |
Two faiths, two empires, two rulers - colliding in 1588. Papist Spain wants to bring down the heretic Elizabeth. Philip is building an armada but needs a rationale to attack. With covert intrigue, Spain sets a trap for the Queen and her principal secretary, Walsingham, using as a pawn Elizabeth's cousin Mary Stuart, who's under house arrest in the North. The trap springs, and the armada sets sail, to rendezvous with French ground forces and to attack. During these months, the Virgin Queen falls in love with Walter Raleigh, keeping him close to court and away from the sea and America. Is treachery or heroism at his heart? Does loneliness await her passionate majesty? Written by <jhailey@hotmail.com>
one of her magnificent performances. and a great story, wise script, superb cinematography and fascinating manner to give not exactly the perfect second part but a subtle, smart and seductive history lesson. because it is one of films who seems changing theories, information, doubts. and the basic motif is the impeccable performance of Cate Blanchett. and the inspiration of director to give one of films who do not gives explanations but only the reflection, in large mirror, of scenes from a reign defined by the force of nuances of vulnerability. the purpose, in this case, has not to build a magnificent monument. but to use a great cast, the traces of others adaptations, the flavor of a period, for a realistic drawing of an unique woman. the result - honestly, impressive.