When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Clark Kent is an alien who as a child was evacuated from his dying world and came to Earth, living as a normal human. But when survivors of his alien home invade Earth, he must reveal himself to the world.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself.Written by
It was delivered to UK cinemas under the code name "Back for more". See more »
During the climactic scene the color of Mary Jane's nylons switch from black when she is in the cab, to beige when she is lying on the wires, and back to black again once she is on solid ground again. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the opening credits, snippets from the first two films can be seen. Also, some of the filmmaker's names appear and then blow away, as if made of sand. The black symbiote also makes a brief appearance. See more »
In 2017, in anticipation for Spider-Man: Homecoming, Sony released an "Editor's Cut" of Spider-Man 3. This cut mostly utilizes an unused score, alternate edits of scenes, a restructured story, and scenes both added and removed throughout. With all of these changes, this version runs 2 minutes shorter than the theatrical version. See more »
Some great action sequences are lost in a film who's script tries to do too much and be all things to all people
Add my voice to those underwhelmed by the latest edition of the Spiderman franchise. While it does contain some of the best action sequences I've ever seen, it is far from the best film ever made.
The problem with the film is that there is simply too much going on. First off you have the Peter/MJ relationship bumping along, add to that the Peter/Harry story line still playing out, plus we have the addition of the Sandman story and coming in in the final half hour is the addition of Venom. Its too much for the movie to handle, the result of which it all feels half baked. Very few of the characters get the proper amount of time to develop with the worst offender is Eddie Brock and Venom who get zero and so seem to belong in another movie (Venom looks great which makes his under use seem even worse). The real proof the film has too much going on was that there are a couple of times where the plot is moved along by sudden out of left field revelations. The only one I"ll reveal, because its in the trailer, is that Sandman killed Uncle Ben in the first film. Had the film been better plotted the revelation wouldn't have been necessary, nor would any of the others.
There are some bright spots, the majority of the Sandman material is sterling, with the first appearance of Sandman in the sand pit almost perfect, and the sequence that makes up his first battle with Spidey one of the greatest things I've ever seen put on film. The Sandman sequences alone make it worth slogging through the ups and downs of the rest of the movie.
Is it a bad movie? No, just a disappointing one. Its clear that this could have and should have been the best in the series (and maybe the best film of the year) had all of the right pieces been put in place, indeed the final sequences in the film probably would have reduced most audiences to tears had they gotten the rest of the film right.
As I said the film is worth seeing at some point, just don't feel the need to run out with everyone else. Was it worth fighting the crowds the first weekend to see? Not really, but it is worth seeing. Hopefully they'll take a break before they make the next one, maybe they'll make the one that this movie should have been
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