When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
Peter Parker has finally managed to piece together the once-broken parts of his life, maintaining a balance between his relationship with Mary-Jane and his responsibility as Spider-Man. But more challenges arise for our young hero. Peter's old friend Harry Obsourne has set out for revenge against Peter; taking up the mantle of his late father's persona as The New Goblin, and Peter must also capture Uncle Ben's real killer, Flint Marko, who has been transformed into his toughest foe yet, the Sandman. All hope seems lost when suddenly Peter's suit turns jet-black and greatly amplifies his powers. But it also begins to greatly amplify the much darker qualities of Peter's personality that he begins to lose himself to. Peter has to reach deep inside himself to free the compassionate hero he used to be if he is to ever conquer the darkness within and face not only his greatest enemies, but also...himself.Written by
The demanding shoot in Cleveland meant that a section in downtown was closed down. The pavements had to be repainted to resemble those in NY. Traffic signs and electricity poles were removed for stunts. The shooting schedule also overlapped with the start of the MLB season for the Indians as well as the NBA playoffs for the Cavaliers and the heavier-than-usual traffic had to be re-routed. Despite all this, it is reported that the people of Cleveland welcomed the crew and didn't complain about the disruption the shoot caused. See more »
(at around 9 mins) When Peter and Mary Jane are lying in Peter's spider web near the beginning of the movie, as the scene is zooming out you can clearly see a strand of web made out of chain near the bottom of the screen. See more »
It's me! Peter Parker! Your friendly neighborhood... You know. I've come a long way from becoming the boy who was bitten by a spider. Back then, nothing seemed to go right for me, and now...
Kid in Times Square:
[pointing at a giant screen in Times Square]
Hey look, it's Spider-Man!
People really like me.
See more »
During the Sandman's theme music in the opening titles, the credits turn into sand and are blown away. See more »
In 2017, in anticipation for Spider-Man: Homecoming, Sony released an "Editor's Cut" of Spider-Man 3. This cut mostly utilizes an unused score, alternate edits of scenes, a restructured story, and scenes both added and removed throughout. With all of these changes, this version runs 2 minutes shorter than the theatrical version. See more »
*** SPOILERS *** As a die-hard Spider-Man fan, I enjoyed this film. As a film critic, there's a lot to be desired.
The action and effects are easily the best in the series. Some of the most stunning effects I have seen. Unfortunately, the acting and dialogue is probably the worst.
The Good: I appreciate what elements Sam Raimi brings to this film from the comic, specifically, the Venom symbiote. It's a gutsy move to include it, because it's a stretch for the casual Spider-Man fan to digest an alien coming down and taking over Peter Parker (& Brock), but hey, it's true to the comic.
I also loved the Sandman action sequences, good use of his powers. But making him the gunman of Peter's uncle Ben was a little over the top for me, especially given the ending. To Raimi's defense, at least they give you SOME reason to understand the Sandman's motivations. I was really hoping Venom would be better utilized but he was more of a one-hit wonder character than anything substantial. He's more used as a device to demonstrate the alien's power over people.
In the end, the action sequences are wonderful and thrilling and found myself wanting to rewind and watch is slow motion more than once.
The Bad: Much of the dialogue is forced, failing to flow nearly as easily or believably as 1 or 2. Tobey Maguire seems far less comfortable with the character in this film, which is surprising and unfortunate. Too many homage scenes too, where the writers felt they should give EVERY character that's been in any of the first films at least 5-10 minutes of screen time (like the landlord and his daughter.) This was a huge complaint I had about Pirates II...give us substance instead of what you THINK we want to see more of.
Also, there's times where scenes are so unbelievable from a HUMAN standpoint, you almost can't believe the scene was ever approved. Case in point - in one scene, Gwen Stacy barely clings to a damaged building, dangling 30 stories up. Below are her father and boyfriend watching from the street. One would think they would be panic stricken, especially the father. Instead, both as docile as two strangers watching the evening news. They are so blase in fact, that Brock (Stacey's BF) takes the opportunity to tell the her father that he's been dating her. Meanwhile, she's seconds from death. I felt more panic from the extra in Spider-Man 1 where she's waiting to see if her baby is rescued from a burning building.
And my biggest issue should not be news to Hollywood - GOOD MOVIES DO NOT NEED TO BE 2.5 HOURS LONG! This movie could have EASILY dropped 30-40 minutes and been a great film. They spend WAY too long on needless scene after needless scene (the part where Parker shows up with Stacy at the Jazz club could have been a 5 minute scene; instead, it's dragged on for 15 minutes and it's not even a good scene.) What's worse, many of these unnecessary scenes are redundant - how many dramatic scenes do we need to illustrate the tension between Parker and MJ? I didn't count, but it seemed like 20 when there only needed to be maybe 3.
In the end, despite my complaints, I did enjoy the film. It's a must-see on the big screen given its effects and cinematography. If there is a SM4, let's hope for a less contrived and convoluted script.
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