Rachel Carlson, a successful novelist moves to a small Scottish village to move on with her life after the death of her son. Strange things start to happen when she is haunted by ghosts and real life terror.
Director:
Writer:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
| Demi Moore | ... |
Rachel Carlson
|
|
| Henry Ian Cusick | ... |
Brian
|
|
 |
Jordan El-Balawi | ... |
Thomas Carlson
(as Beans Balawi)
|
| Kate Isitt | ... |
Sharon Winton
|
|
| Nicholas Gleaves | ... |
Dr. Robert Freedman
|
|
| James Cosmo | ... |
Finlay Murray
|
|
|
|
Joanna Hole | ... |
Mary Murray
|
| Therese Bradley | ... |
Morag McPherson
|
|
| Hans Matheson | ... |
Angus McCulloch
|
|
|
|
Mickey Wilson | ... |
Reverend James McMahon
(as Michael Wilson)
|
| Polly Frame | ... |
Librarian
|
|
|
|
Ceit Kearney | ... |
Gaelic Speaking Woman
|
|
|
Nichola Bee | ... |
Kate McCulloch
(as Nichola B)
|
|
|
Jamie Edgell | ... |
Gordon McCloud
|
|
|
Isla Hampson | ... |
Maitre'd
|
|
|
Helen Crerar | ... |
Mrs. Freedman
|
| Rest of cast listed alphabetically: | |||
|
|
Anne Smith | ... |
Bingo Announcer
|
| Owain Griffiths | ... |
Villager (uncredited)
|
|
Directed by
| Craig Rosenberg | ||
Written by
| Craig Rosenberg | ... | (written by) |
Produced by
| Garth H. Drabinsky | ... | producer |
| Simon Franks | ... | executive producer |
| Andreas Grosch | ... | producer |
| Zygi Kamasa | ... | executive producer |
| Joel B. Michaels | ... | producer |
| Brian Oliver | ... | executive producer |
| Clive Parsons | ... | producer |
| Steve Samuels | ... | producer |
| Andreas Schmid | ... | executive producer |
| Guy Tannahill | ... | line producer |
Music by
| Brett Rosenberg | ||
Cinematography by
| Ashley Rowe | ... | director of photography |
Editing by
| Bill Murphy | ||
Editorial Department
| Lucie Graves | ... | post-production coordinator |
| Stewart Maclennan | ... | assistant editor |
| Mike Stainer | ... | color timer |
| Jason Wheeler | ... | negative cutter |
| Tom Harrison-Read | ... | assistant editor (uncredited) |
Casting By
| John Hubbard | ||
| Ros Hubbard | ||
Production Design by
| Don Taylor | ||
Art Direction by
| Sarah Bicknell | ... | (as Sarah Stuart) |
| Nick Palmer | ||
Set Decoration by
| John Bush | ||
Costume Design by
| Ruth Myers | ||
Makeup Department
| Erin Ayanian | ... | makeup artist: Demi Moore |
| Alison Rainey | ... | crowd hair and makeup |
| Tara Smith | ... | chief hair designer / chief makeup designer / personal hair stylist: Demi Moore |
| Gemma Waugh | ... | hair stylist / makeup artist |
Production Management
| Said Ezrouki | ... | unit manager |
| Jeanette Haley | ... | post-production supervisor |
| Kerstin Dyroff | ... | production manager: VIP Medienfonds (uncredited) |
Second Unit Director or Assistant Director
| David Daniels | ... | first assistant director |
| Simon Morris | ... | second assistant director |
| Nick Thomas | ... | third assistant director |
| Heidi Bishop | ... | assistant director (uncredited) |
| Rachael Fullerton | ... | crowd assistant director (uncredited) |
Art Department
| Jason Babcock | ... | plasterer (as Jason Badcock) |
| Ronald Bede | ... | supervising stagehand (as Ronny Bede) |
| Paul Beeson | ... | stand-by carpenter |
| Paul Campbell | ... | props daily |
| David Creed | ... | construction manager |
| Chris Cull | ... | property master |
| Steve DeJulius | ... | stagehand |
| Amy Dewar | ... | art department assistant |
| James Dillimore | ... | stand-by construction rigger |
| Kevin Dore | ... | stagehand |
| Peter Edge | ... | painter |
| Gill Farr | ... | production buyer (as Gillian Farr) |
| Stephen Forrest-Smith | ... | storyboard artist |
| Jess Foster | ... | construction rigger |
| Andy Frewin | ... | carpenter |
| Danny Griffin | ... | carpenter |
| Matthew Hywel-Davies | ... | carpenter (as Matt Hywell Davies) |
| Scott Keery | ... | props daily |
| Tony Kellow | ... | carpenter |
| Oliver Kubicki | ... | assistant art director |
| Rob MacPherson | ... | prop hand |
| Gary Martin | ... | props daily |
| Richard Neal | ... | stand-by plasterer |
| Darren Nunes | ... | carpenter |
| Spencer Nunes | ... | carpenter |
| Rob Peek | ... | construction rigger |
| Will Pope | ... | stand-by carpenter (as William Pope) |
| William Rigby | ... | supervising carpenter |
| Simon Riley | ... | standby prop |
| George Roberts | ... | painter |
| John Roberts | ... | head of painting |
| Tom Roberts | ... | painter |
| Tony Roberts | ... | stand-by painter (as Tony D. Roberts) |
| Michael Seymour | ... | supervising construction rigger |
| Terry Simpson | ... | carpenter |
| Stephen Thomson | ... | prop hand |
| Steve Tranfield | ... | supervising plasterer (as Steve Transfield) |
| John Watts | ... | painter |
| Dave Wickes | ... | plasterer |
| Andrew 'Monty' Wilson | ... | props daily (as Monty Wilson) |
| Billy Wilson | ... | prop hand / stand-by construction rigger |
| Mal Zawadzki | ... | painter |
| Sarah Bicknell | ... | stand-by art director (uncredited) |
| Amber Carter | ... | assistant scenic artist (uncredited) |
| Robert J. Dugdale | ... | scenic artist (uncredited) |
Sound Department
| Oliver Brierley | ... | foley editor |
| Peter Burgis | ... | foley artist |
| Alistair Crocker | ... | production sound mixer |
| Andie Derrick | ... | foley artist |
| James Feltham | ... | re-recording mixer |
| Arthur Graley | ... | foley editor (as Arthur Holland Graley) |
| James Harbour | ... | sound trainee |
| Nigel Heath | ... | re-recording mixer |
| Adam Margetts | ... | boom operator |
| Dan Morgan | ... | adr editor / dialogue editor |
| Julian Slater | ... | supervising sound editor |
| John Hughes | ... | sound (uncredited) |
Special Effects by
| Stuart Brisdon | ... | special effects supervisor |
| Mark Haddenham | ... | senior special effects technician |
| Dave Keen | ... | senior special effects technician |
| Ian Lowe | ... | senior special effects technician |
| Tez Palmer | ... | special effects technician (as Terry Palmer) |
| Nigel Wilkinson | ... | special effects technician |
| Daniel Williams | ... | special effects assistant (as Dan Williams) |
| David Williams | ... | special effects wire supervisor (as Dave Williams) |
Visual Effects by
| Nick Bedford | ... | visual effects technical coordinator: Peerless Camera Company |
| Steven Begg | ... | digital matte artist |
| Steve Boag | ... | digital effects supervisor: Cineimage |
| Martin Body | ... | lead rotoscope artist: Peerless Camera Company |
| Jim Bowers | ... | digital matte painter: Peerless Camera Company |
| Mark Bradley | ... | visual effects assistant: Peerless Camera Company |
| Nadine Buckley | ... | systems administrator: Peerless Camera Company |
| Martin Bullard | ... | titles and optical supervisor: CineImage |
| Lawrence Carroll | ... | digital effects artist |
| Andrew Cochrane | ... | digital effects artist |
| Otto Dent | ... | CG animator: Peerless Camera Company |
| John Paul Docherty | ... | digital effects supervisor: Peerless Camera Company |
| Dave Gurney | ... | optical camera: Cineimage |
| Ed Hall | ... | visual effects assistant: Peerless Camera Company |
| Ben Hicks | ... | compositor: Peerless Camera Company |
| Kent Houston | ... | visual effects consultant: Peerless Camera Company |
| Jack Hughes | ... | compositor: Peerless Camera Company |
| Andrew Kingston | ... | systems administrator: Peerless Camera Company |
| Sarah MacKenzie | ... | administrator: Peerless Camera Company |
| Ian McFadyen | ... | CG animator: Peerless Camera Company |
| Matthew Merkovich | ... | digital effects artist (as Mathew Merkovich) |
| John O'Lone | ... | junior compositor: Peerless Camera Company |
| Rob Ozaeta | ... | digital effects artist (as Robb Ozaeta) |
| Michael Plescia | ... | digital effects artist |
| Terron Pratt | ... | visual effects coordinator |
| Janet Quen | ... | compositor: Peerless Camera Company |
| Laurel Lyn Schulman | ... | visual effects producer (as Laurel Schulman) |
| Julian Scott | ... | digital effects conformer: CineImage |
| Marianne Speight | ... | visual effects producer: Peerless Camera Company |
| Mark Spevick | ... | CG supervisor: Peerless Camera Company |
| Tom Stanton | ... | digital effects artist |
| Mary Stuart | ... | executive visual effects producer |
| John Swinnerton | ... | visual effects supervisor: Peerless Camera Company |
| Matthew Symonds | ... | digital compositor: CineImage |
| Emeline Tedder | ... | junior compositor: Peerless Camera Company |
| Charlotte Towe | ... | administrator: Peerless Camera Company |
| Anthony Wonsoff | ... | digital compositor: CineImage |
| Travis Baumann | ... | inferno artist (uncredited) |
| Ditch Doy | ... | head of cg: Peerless Camera Company (uncredited) |
| Thomas Müller-Lundberg | ... | administrator: Peerless Camera Company (uncredited) |
| Tim Ollive | ... | cg artist (uncredited) |
| Christopher Stack | ... | colorist: Digiscope (uncredited) |
Stunts
| Stuart Clark | ... | stunt safety |
| Ray De-Haan | ... | stunt safety (as Ray De Haan) |
| Tracey Eddon | ... | stunt performer |
| Jamie Edgell | ... | stunt coordinator |
| Richard Hansen | ... | stunt performer |
| Paul Herbert | ... | stunt performer |
| Ian Kay | ... | stunt performer (as Ian Kaye) |
| Kim McGarrity | ... | stunt performer |
| Seon Rogers | ... | stunt performer |
| Lee Sheward | ... | stunt coordinator |
| C.C. Smiff | ... | stunt performer (as CC Smiff) |
| Maxine Whittaker | ... | stunt performer |
Camera and Electrical Department
| David Appleby | ... | still photographer |
| John Attwood | ... | rigging spark |
| Ian Clark | ... | focus puller: "a" camera |
| Steve Cooke | ... | rigging spark |
| Barny Crocker | ... | clapper loader: "a" camera (as Barnaby Crocker) |
| Ricky Davies | ... | generator operator (as Ricky Davis) |
| Justin Denchfield | ... | rigging spark |
| Lee Eldred | ... | best boy electric / sparks |
| Colin Elves | ... | video playback operator |
| Dai Evans | ... | grip: "b" camera (as David Evans) |
| John Evans | ... | camera loader: "b" camera |
| Alan Grayley | ... | rigging spark (as Alan Graley) |
| Aaron Green | ... | gaffer: underwater unit |
| Isla Hampson | ... | video assistant |
| Fred Harris | ... | crane operator |
| Garry Hedges | ... | rigging spark (as Gary Hedges) |
| Paul Holley | ... | rigging spark |
| David Holliday | ... | crane grip (as David Holiday) |
| Aaron Keating | ... | sparks |
| Larry Knox | ... | sparks |
| Rick Loughlin | ... | rigging spark (as Rickey Loughlin) |
| Dan Lowe | ... | best boy electric (as Daniel Lowe) |
| Gavin MacArthur | ... | assistant camera |
| Nathan Mann | ... | focus puller: "b" camera |
| Adrian McCarthy | ... | key grip |
| Campbell McIntosh | ... | gaffer |
| Julian Morson | ... | camera operator: "b" camera / steadicam operator |
| Gary Nagle | ... | rigging spark |
| John Powell | ... | rigging spark |
| Mark Rafferty | ... | rigging spark |
| Phil Reader | ... | rigging gaffer |
| Kevin Roberts | ... | electrician |
| Roy Rowland | ... | rigging spark |
| Ronnie Savory | ... | rigging spark (as Ron Savory) |
| James Scott | ... | clapper loader: underwater unit |
| Michael Seymour | ... | hod rigger |
| Ian Sinfield | ... | rigging spark |
| Dave Staton | ... | rigging spark |
| Barnaby Sweet | ... | rigging spark |
| Toby Tyler | ... | rigging spark |
| Mike Valentine | ... | camera operator: underwater unit |
| Jason Wrenn | ... | focus puller: underwater unit (as Jason Wren) |
| Danny Young | ... | rigging spark |
| Bill Kaye | ... | still photographer: props (uncredited) |
Casting Department
| Amanda Harding | ... | casting: USA (uncredited) |
| Amanda Koblin | ... | casting: USA (uncredited) |
Costume and Wardrobe Department
| Camille Benda | ... | costume assistant |
| Laura Ergis | ... | costume assistant |
| Liam Flavell | ... | costume runner |
| Sharon McCormack | ... | crowd costume assistant |
| Penny McDonald | ... | buyer and costume assistant |
| William McPhail | ... | costume supervisor |
Location Management
| Iggy Ellis | ... | assistant location manager: Wales (as Ian Ellis) |
| Richard Hill | ... | assistant location manager: London |
| Barney Hughes | ... | location manager: Cornwall (as Barnaby Hughes) |
| Sarah Lee | ... | location manager |
| Jamie Lengyel | ... | supervising location manager |
| Charlie Somers | ... | location manager (as Charles Somers) |
Music Department
| Jon Bailey | ... | assistant score recording engineer |
| Mark Berrow | ... | musician: violin |
| John Bradbury | ... | orchestra leader |
| Simon Chamberlain | ... | musician: cello |
| Dermot Crehan | ... | musician: Irish fiddle |
| Nicholas Dodd | ... | conductor / orchestrator |
| Geoff Foster | ... | score mixer / score recordist |
| Vic Fraser | ... | music preparation |
| Isobel Griffiths | ... | orchestra contractor |
| Angus Havers | ... | music assistant: composer |
| The London Oratory School Schola | ... | musicians: boys choir |
| Ben Marinic | ... | additional synth programmer |
| Everton Nelson | ... | musician: violin |
| Ron Rosenberg | ... | musician: piano, "The Cottage" theme |
| Declan Seachoy | ... | musician: boy soprano |
| Kirsty Whalley | ... | music editor |
| Jonathan Williams | ... | musician: solo cello |
| Ian Wood | ... | assistant score recording engineer |
| Warren Zielinski | ... | musician: violin |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Mikael Carlsson | ... | executive soundtrack producer (uncredited) |
| Paul Kegg | ... | musician: cello (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Hilary Fagg | ... | script supervisor |
Transportation Department
| Ben Dillon | ... | action vehicle coordinator |
| Wayne Evans | ... | driver: construction and grip truck |
| Liam Flavell | ... | driver: costume |
| 'Amphibious' George | ... | driver: amphibious vehicle |
| Chris John | ... | driver: camera truck |
| Brian Kelly | ... | driver: Craig Rosenberg |
| Dave Manning | ... | driver: Demi Moore (as David Manning) |
| Steve Mitchard | ... | unit driver |
| Rod Pace | ... | driver: boat (as Captain Rod Pace) |
| Mickey Roddy | ... | driver: stand-by props |
| Robert Smith | ... | unit driver |
| Mike Wheeler | ... | driver: Joel B. Michaels |
Additional Crew
| Monika Agorelius | ... | electronic press kit |
| Andi Aikman | ... | head chef |
| Wendy Altman-Cohen | ... | principal eyewear |
| Sam Bell | ... | runner: rushes |
| Mona Benjamin | ... | production coordinator |
| Josef Brandmaier | ... | banking services |
| Chorley Bunce | ... | caterer |
| Mark Bunce | ... | head chef |
| Usha Chaman | ... | assistant production coordinator |
| Paul Chapery | ... | kitchen assistant |
| Dave Chorley | ... | head chef |
| Helen Crerar | ... | assistant: Craig Rosenberg |
| Cuong Dang | ... | production runner |
| Jaqui Davies | ... | unit nurse |
| Paul Davies | ... | marine coordinator |
| Samantha Davies | ... | marine double: Rachel |
| Steve Dent | ... | horse master |
| Tony Dollard | ... | kitchen assistant |
| Guy Drayton | ... | safety director: underwater unit |
| Marc J. Federman | ... | insurer: US, DeWitt Stern (as Marc Federman) |
| Alex Fletcher | ... | assistant chef |
| Rachael Fullerton | ... | floor runner (as Rachael Tottingham) |
| Kerrie Gant | ... | client liaison: CineImage |
| Kelly Gillespie | ... | assistant: Joel B. Michaels |
| Ruth Halliday | ... | legal clearances: The Clearing House |
| Rhys Henson | ... | floor runner |
| Steve Hoatson | ... | second chef |
| Jonathan Hopkins | ... | assistant: Joel B. Michaels |
| Julia Jones | ... | publicity liaison |
| Non Jones | ... | cashier |
| Carley Lane | ... | floor runner |
| Solomon J. LeFlore | ... | production financing |
| James Maclear | ... | chef: Demi Moore |
| Damien Murphy | ... | facilities |
| Richard Neale | ... | on-set computer technician: CompuHire |
| Eva Neufahrt | ... | controller |
| Clive Noakes | ... | laboratory contact: Deluxe |
| Cian O'Clery | ... | runner: rushes |
| Charlie Hamilton Park | ... | Body Double |
| Finn Parker | ... | facilities hod |
| Jeremy Pelzer | ... | studio director: Ealing Studios |
| Andreas Pense | ... | legal counsel: producer / legal services: production finance |
| Jason Potter | ... | assistant accountant |
| Bill Ridealgh | ... | unit medic |
| Martin Rose | ... | second chef |
| Glen Rostock | ... | boat double: Brian |
| Tom Scott | ... | trainee: underwater unit |
| David Shaw | ... | diving supervisor: underwater unit |
| Anna Shearer | ... | stand-in |
| Jim Shortall | ... | production accountant |
| Joseph Stacey | ... | stand-in |
| Kelly Taylor-Dias | ... | liaison: London |
| Françoise Valentine | ... | unit coordinator: underwater unit |
| Pete White | ... | horse master |
| Karl Williams | ... | paramedic |
| Maddie Williams | ... | marine double: Sharon |
| Quay Chu | ... | uncredited: Assistant to Clive Parsons |
| Julia Finn | ... | publicist (uncredited) |
| Steve Fletcher | ... | on-set tutor (uncredited) |
| Nicole Gregory | ... | publicist (uncredited) |
| Michael J. Harker | ... | completion bond company representative (uncredited) |
| Florian Harms | ... | legal counsel: VIP (uncredited) |
| David Monteath | ... | voice actor (uncredited) |
| Berit Norrenberg | ... | legal counsel: VIP (uncredited) |
| Claudia Sendlbeck-Schickor | ... | tax advisor: VIP (uncredited) |
Thanks
| Fred Bernstein | ... | the producers wish to thank |
| Ken Biggins | ... | the producers wish to thank |
| Al Burgess | ... | the producers wish to thank |
| Candace Cornell | ... | the producers wish to thank (as Candace Cornell Michaels) |
| Roger DaPrato | ... | the producers wish to thank |
| Cyril Drabinsky | ... | the producers wish to thank |
| Craig A. Emanuel | ... | the producers wish to thank (as Craig Emanuel) |
| Jorge Gallegos | ... | in memory of |
| Rick Hess | ... | the producers wish to thank |
| Jim Holt | ... | the producers wish to thank |
| Kent Houston | ... | the producers wish to thank |
| Michelle Hubbard | ... | the producers wish to thank |
| Thomas F. Hunter | ... | the producers wish to thank |
| James Kay | ... | the producers wish to thank |
| Leah Antonio Ketcham | ... | the producers wish to thank (as Leah Antonio-Ketchum) |
| Larry Marks | ... | the producers wish to thank |
| Karen Marsh | ... | the producers wish to thank |
| James Middleton | ... | special thanks |
| Marita O'Riordan | ... | the producers wish to thank |
| John Ptak | ... | the producers wish to thank |
| Mary Stuart | ... | the producers wish to thank |
| Kate Sullivan | ... | the producers wish to thank |
| Kelly Webb | ... | the producers wish to thank |
| Joan Weidman | ... | in memory of |
| Felicity Wheeler | ... | the producers wish to thank |
Production Companies
Distributors
- Lakeshore International (2005) (World-wide) (sales)
- Half Light (2005) (World-wide)
- Avsar Film (2006) (Turkey) (theatrical)
- Cathay-Keris Films (2006) (Singapore) (theatrical)
- United International Pictures (UIP) (2006) (United Kingdom) (theatrical)
- Viva International Pictures (2006) (Philippines) (theatrical)
- 102 Distribution (2017) (Italy) (tv)
- Argentina Video Home (2006) (Argentina) (DVD)
- Argentina Video Home (2006) (Argentina) (VHS)
- Bridge Entertainment Group (2006) (Netherlands) (DVD)
- Divisa Home Video (2017) (Spain) (DVD)
- Filmax (2006) (Spain)
- First Look International (2005) (United States) (DVD)
- Kinowelt Home Entertainment (2006) (Germany) (DVD)
- Nordisk Film (2006) (Finland) (DVD)
- PlazaVista Entertainment (2006) (Switzerland) (DVD)
- Prorom Media-Trade (2006) (Romania)
- RTL Entertainment (2009) (Netherlands) (tv) (RTL8)
- United International Pictures (2006) (Argentina)
- Universal Pictures (2006) (United Kingdom) (DVD)
Special Effects
- Digiscope (visual effects)
- Peerless Camera Company (visual effects)
Other Companies
- Air Lyndhurst Studios (score recorded at)
- Arion Communications Ltd. (transfer facilities)
- Cine Image Film Opticals (main and end titles)
- Compuhire (computer playback)
- Crouch End Festival Chorus (choir)
- David Deane Associates (health and safety)
- DeWitt Stern Insurance Services (insurers: US)
- Deluxe (color)
- Fatts (post-production script service)
- Flax PR (costume supplier)
- Hackenbacker Audio Post Production (sound re-recorded at)
- International Film Guarantors (completion bond company)
- J & E Post Production (post-production consultancy)
- JAM Location Services (location assistants)
- Lee Lighting (lighting equipment)
- Mad Dog 2020 (extras casting)
- Media & Entertainment Insurance Services (insurers: UK)
- Midnight Transfer (post-production facilities)
- MovieScore Media (soundtrack)
- Olswang (legal services: UK)
- Pak Box (camera: grips and consumables)
- Panavision Grips (cranes supplied by)
- Panavision (camera equipment provided by)
- The Clearing House (legal clearances)
- The London Oratory School Schola (music performed by)
Storyline
| Plot Summary |
After the tragic drowning of her 5 year old son, best selling thriller novelist Rachel Carlson moves to a remote cottage on the Scottish coast. But Rachel's demons have followed her as loneliness and paranoia leave her not knowing what's real and what's imagination in the fight to save her life. Written by Ashli |
| Plot Keywords | |
| Taglines | Believe in the beyond. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Did You Know?
| Trivia | Filming on the Island of Llanddwyn in North Wales had caused an outrage in the local community. People were angry that the "spiritual" Island was being used as a film set. See more » |
| Goofs | In all phone calls Rachel makes, the ringing sound of all the calls is a foreign long ring in equidistant intervals. This is used in many parts of the world and the particular 'note' of the sound is mainly an American tone. British phone ring-tones are sequences of two tone/pulses and therefore completely different. All the people Rachel calls are in Britain. See more » |
| Movie Connections | Features Dead of Night (1945). See more » |
| Soundtracks | Happy Birthday To You See more » |
| Quotes |
Rachel Carlson:
Why is it everyone paints their boats the exact same color as their houses? Angus McCulloch: Well, that's actually a tradition here. The wife needs to be able to look out on the water and know her husband's okay. Rachel Carlson: That's very romantic. Angus McCulloch: And we also get a tax-break on the paint, which is also very romantic. See more » |