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Brideshead Revisited (2008)

PG-13 | | Drama, Romance | 15 August 2008 (USA)
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A poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.

Director:

Julian Jarrold
10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matthew Goode ... Charles Ryder
Thomas Morrison Thomas Morrison ... Hooper
David Barrass David Barrass ... Ship's Barber
Anna Madeley ... Celia Ryder
Sarah Crowden ... Lady Guest
Stephen Carlile Stephen Carlile ... English Lord
Peter Barnes Peter Barnes ... American Professor
Hayley Atwell ... Julia Flyte
Patrick Malahide ... Mr Ryder
Richard Teverson ... Cousin Jasper
Joseph Beattie ... Anthony Blanche
Ben Whishaw ... Sebastian Flyte
Roger Walker Roger Walker ... Lunt
Mark Field ... Boy Mulcaster
Mark Edel-Hunt Mark Edel-Hunt ... Oxford Student
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Storyline

WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Every temptation has its price. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

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Country:

UK | Italy | Morocco

Language:

English | Italian | Arabic | Latin | French

Release Date:

15 August 2008 (USA) See more »

Also Known As:

Regreso a Brideshead See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£375,270 (United Kingdom), 5 October 2008, Limited Release

Opening Weekend USA:

$339,616, 27 July 2008, Limited Release

Gross USA:

$6,414,563, 21 September 2008
See more on IMDbPro »

Company Credits

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Technical Specs

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

For the Oxford scenes, real Oxford students were recruited to play their 1920's counterparts. For the scene where Charles and Sebastian first meet, real members of the exclusive Bullingdon Club can be seen behind him wearing their traditional blazers. A few of them can also be seen in the luncheon scene that takes place the next day. See more »

Goofs

In Lord Marchmain's deathbed scene, Fr. Mackay imparts absolution while Charles Ryder and members of the family are in attendance. Absolution is never imparted in public in this way. The others would have been asked to step out. Moreover, the Latin form of the absolution given, although it is the correct traditional one, is badly mispronounced and contains several errors in the details of the Latin text. See more »

Quotes

Sebastian Flyte: Charles is reading history, but he wants to be an artist.
Anthony Blanche: No!
Sebastian Flyte: Why ever not?
Anthony Blanche: Either you are an artist, or you are not.
Boy Markaster: Hear, hear.
Charles Ryder: Then I am.
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Connections

Version of Brideshead Revisited (1981) See more »

Soundtracks

With the Rumba Playing
Music & Lyrics by Terry Davies
Violin by Chris Garrick
Guitar by John Etheridge
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Frequently Asked Questions

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User Reviews

 
Once More, Into Brideshead
1 August 2008 | by janos451See all my reviews

It's attributed to just about everybody - from Ginger Rogers to Milan Kundera - and it sounds so right: "There are no small parts, only small actors."

If you want proof and a real understanding of the adage, revisit "Brideshead Revisited," and behold the miracle of Emma Thompson's Lady Marchmain, sucking the life out of anything and anybody she touches, and Michael Gambon's delightfully dissolute Lord Marchmain. She has about 10 minutes on the screen, he perhaps four, and yet their characters will follow you out of the theater, and stay with you at length.

Thompson's work is especially dazzling because the mean, sanctimonious character is so clearly alien to the actress (in fact, I suspected miscasting when I first heard of her assignment) and also as the character is so exaggerated, almost a caricature. And yet, Thompson gives the challenge her all, and walks away with it; the performance has Best Supporting Actress written all over it.

It's difficult to believe that the man you see as Marchmain is the same actor who was the "Singing Detective" (of the superb BBC series, not the Robert Downey Jr. mishap). Gambon has a range as wide as all outdoors, and you never ever see effort in the performance. His amiable Marchmain - subtly hinting at a complex character under the surface - has a physical similarity to Gambon's Uncle Vanya on the London stage, but otherwise, it's a unique creation.

What else is there to this new "edition" of "Brideshead"? A great deal, but only if you're among those who missed both Evelyn Waugh's novel and the wonderful Granada TV realization 27 long years ago - Irons! Gielgud! Olivier! - how can you compete with that? So, if it's a first-time visit, see the movie by all means; if you can recite lines from the book or the TV series, you can survive without the new version.

In 135 minutes, the film is handling well what the TV series did so completely in - yes - 13 HOURS. Obviously, except for the basic story line (script by Jeremy Brock, of "The Last King of Scotland"), this is a different kind of animal, still "leisurely" enough, but unable to luxuriate in the smallest details as the series did. The director is Julian Jarrold, and he is doing far better than in his recent "Becoming Jane," keeps the story moving in a smooth fashion.

As to the leading roles in the film, they are all well acted, but without great impact. Matthew Goode is Charles Ryder, the focal character; Ben Whishaw is the slightly over-flamboyant Sebastian Flyte (who needs understating more than exaggerating - Anthony Andrews' performance in the TV series was exactly right); Hayley Atwell is Sebastian's sister (and rival for Charles' affection).

One amazing thing about "Brideshead" is how this story from a different time, about characters from a different world, remains interesting and meaningful. It's almost as if Waugh's work was bulletproof - not that these filmmakers were less than respectful to the author. A better test would be a Eurotrash opera version, heaven forfend.


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