As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
This shortcut repeats the structure of Coffee and Cigarettes. This time, Iggy Pop and Tom Waits meet in a bar. But, again, we don't know why they agreed to do that in the first place, ... See full summary »
The resolutely single Don Johnston has just been dumped by his latest lover, Sherry. Don resigns himself to being alone yet again and left to his own devices. Instead, he is compelled to reflect on his past when he receives by mail a mysterious pink letter. It is from an anonymous former lover and informs him that he has a 19-year-old son who may now be looking for his father. Don is urged to investigate this "mystery" by his closest friend and neighbor, Winston, an amateur sleuth and family man. Hesitant to travel at all, Don nonetheless embarks on a cross-country trek in search of clues from four former flames. Unannounced visits to each of these unique women hold new surprises for Don as he haphazardly confronts both his past and, consequently, his present.Written by
Bill Murray agreed to do the film on the condition that he would not have to travel more than an hour from his home in Hudson Valley, New York. Jim Jarmusch agreed and all scenes were filmed in either New York or northern New Jersey. See more »
When Don speaks with the receptionist at Dr Markowski's office, the angle of the laptop relative to the table changes repeatedly between shots. See more »
I pretty much have all my stuff.
[picks up mail]
Looks like you got a love letter from one of your other girlfriends.
See more »
Unusually, bit part players with no spoken lines in this movie are listed in the credits. Normally only speaking parts are listed. See more »
Dreams I'll Never See
by Gregg Allman
Performed by The Allman Brothers Band
Used by permission of EMI Unart Catalog Inc.
Courtesy of The Island Def Jam Music Group under license from Universal Music Enterprises See more »
A parlor trick to fool the audience into thinking that the mundane is meaningful
After sitting through this movie, I felt I had just seen a bad student film. There's a great premise - modern Don Juan re-visits past to find if something lasting came from his former relationships (in the form of a son), but the most uninteresting choices have been made here. There is almost no character development, no story development that engages the viewer in any significant way, and a cast of characters that are cartoonish in their broadly drawn quirkiness: the aging Don Juan, the out-of-control Lolita, the warm family-man, the biker chic, the lost young man searching for meaning...this is a stable of old characters that take up time and space in this movie, but add nothing of substance.
We are reminded in every possible way that this man is a "Don Juan" and yet NOTHING in the story or character development suggests how someone so broken, so numb, so completely uninterested in life or people, could be that sort of man. We have no idea how or why he has become so broken, and so ultimately don't much care that he is. No light is shed on this at any point - the movie is just one long dip into a stagnant pool of listless nothingness.
I can only imagine that the transitions between scenes of simply fading to black again and again and again, and the endless travel footage (Don in plane, Don in car, Don reading map, Don sleeping in hotel) were one of three things: lack of imagination, self-indulgence or laziness. I can think of no other reasons as this just adds to the stultifying feel of the movie. The parallel between the film's pace and Don's life seems like an amateurish parlor trick to fool the audience into thinking that the mundane is meaningful - not in this movie! Here, the mundane is just plain old boring. All the symbolism is lurid in its obviousness (ex: Don watching the old/original "Don Juan" movie on TV as his life unravels) while the character/story development is so subtle as to be non-existent.
I could not imagine a more uninteresting use of major acting talent (not just Bill Murray, but the whole cast). In so many instances, the Don Juan theme seems a license for the director to show off the physical attributes of younger women - how else can naked Lolita possibly be justified in this story. Oddly, it doesn't seem to be Bill Murray's Don himself who is interested in these women, making the display of skin even more gratuitous.
I'm guessing the lack of resolution at the end was supposed to be indicative of Don's ambivalence about life's direction, but it just looked/felt like the scriptwriter had run out of ideas and so ended the movie. We were quite unsure that the movie had actually ended, and I felt so cheated as I left my seat. $9 and 2 hours of my time spent with characters I didn't get to know or like, and a story that went nowhere in the worst way - UGH!
If this had in fact been a student film, any good professor would have suggested that Jarmusch trim the self-conscious "subtlety" and develop a story worth watching.
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