| Cast overview, first billed only: | |||
| Bill Murray | ... | Don Johnston | |
| Julie Delpy | ... | Sherry | |
| Heather Simms | ... | Mona (as Heather Alicia Simms) | |
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Brea Frazier | ... | Rita |
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Jarry Fall | ... | Winston and Mona's Kid (as Jarry) |
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Korka Fall | ... | Winston and Mona's Kid |
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Saul Holland | ... | Winston and Mona's Kid (as Saul) |
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Zakira Holland | ... | Winston and Mona's Kid |
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Niles Lee Wilson | ... | Winston and Mona's Kid |
| Jeffrey Wright | ... | Winston | |
| Meredith Patterson | ... | Flight Attendant | |
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Jennifer Rapp | ... | Girl on Bus |
| Nicole Abisinio | ... | Girl on Bus | |
| Ryan Donowho | ... | Young Man on Bus | |
| Alexis Dziena | ... | Lolita | |
The resolutely single Don Johnston has just been dumped by his latest lover, Sherry. Don resigns himself to being alone yet again and left to his own devices. Instead, he is compelled to reflect on his past when he receives by mail a mysterious pink letter. It is from an anonymous former lover and informs him that he has a 19-year-old son who may now be looking for his father. Don is urged to investigate this "mystery" by his closest friend and neighbor, Winston, an amateur sleuth and family man. Hesitant to travel at all, Don nonetheless embarks on a cross-country trek in search of clues from four former flames. Unannounced visits to each of these unique women hold new surprises for Don as he haphazardly confronts both his past and, consequently, his present. Written by Focus Features
Broken Flowers is a departure for Jim Jarmusch, and not an altogether successful one. This film is decidedly more mainstream than anything Jarmusch has directed before. He inserts product from mapquest.com, Sharp, and Ford Taurus; shoots in color; and writes a character being admonished for smoking for starters. This isn't as radical a shift to mainstream as George Lucas going from THX-1138 to Star Wars Episode V: The Empire Strikes Back. It's more like the Cohen brothers going from Blood Simple to Intolerable Cruelty.
Broken Flowers is highly structured and deliberately paced (i.e. slow), with an episodic format. Murray's character, Don Johnston, tries to reveal the identity of the woman who alerts him to the existence of his son, awkwardly reuniting with a succession of old flames. Murray's portrayal is fun to watch, and Sharon Stone is still magically delicious. The film has interesting things to say about the suburbs, the path not taken, bachelorhood, and the banality of travel. But it says little and hardly engages. It is the Odyssey with no reason to return home.