In London, love blooms between an American college student, named Lisa, and an English scientist, named Matt. Over the next few months, between attending rock concerts, they have different kinds of sexual intercourse with each other.
A young girl is caught up in the 1980 Gwangju massacre, where Korean soldiers killed hundreds, if not thousands, of protesters who opposed the country's takeover by the military the year ... See full summary »
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall--London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.Written by
Sujit R. Varma
The first sexually explicit film to be directly awarded a French mainstream certificate (and not the "X classification" created in 1975 for "pornographic or violence-inciting movies"). See more »
Cutaways during several different band performances, such as close up of backup guitarists, are from different parts of the shows and often don't match wide shots of the band or shots of the singers. See more »
When I remember Lisa I don't think about her clothes, or her work, or where she was from, or even what she said. I think about her smell, her taste, her skin touching mine.
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The opening title and the closing credits appear to be pieces of cut film or paper placed together to form the words. See more »
I came to this Michael Winterbottom film from one of his previous efforts starring Samantha Morton and Tim Robbins. I had never heard of him as a director and when Sight and Sound (the house magazine of the BFI) did an article on him I thought he was worthy of attention.
Another reason for seeing this film was the promise of being able to watch a couple having actual sex and no merely faked orgasms and suggested oral sex either and no pornography. I quite wanted to be reminded of the reasons why two people can get together because of what they have in common.
Winterbottom's film is not pornography at all. It is merely a study of a relationship seen through the context of real sex (what nearly all of us have experienced once we are a certain age (18+ usually) and are not bound by religious considerations ie the Catholic priesthood) and popular music. That's all. And the cast are two everyday folk. They are not artificially enhanced porn actors or glossed up dolls for the benefit of the viewer. It is a very much warts and all film, although I have much admiration for Winterbottom to persuade any actor to show the camera (and thus the audience) his real erection and later orgasm.
Once the novelty of watching real adult sex wears off, however, there is little else left and that's the real disappointment of this film. Nevertheless it is an adult movie and some may enjoy it.
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