At an archaeological dig in the ancient city of Hamunaptra, an American serving in the French Foreign Legion accidentally awakens a mummy who begins to wreck havoc as he searches for the reincarnation of his long-lost love.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
In this continuation to the adventure of the demon superhero, an evil elf breaks an ancient pact between humans and creatures, as he declares war against humanity. He is on a mission to release The Golden Army, a deadly group of fighting machines that can destroy the human race. As Hell on Earth is ready to erupt, Hellboy and his crew set out to defeat the evil prince before The Golden Army can destroy humanity's existence.Written by
FRANCHISE TRADEMARK: (51): There is the number "51" stenciled into the side of the compound, seen several times, since we find out in Hellboy (2004) that it's "sector 51". It may also, in both films, be a reference to Area 51. See more »
Hellboy is normally pretty big. His arms are big, his non-rock hand is bigger then a normal human hand, and his chest is wider then a normal humans. However when he is watching the news shirtless his body is normal sized. It's almost like they forgot to put on the fake muscles and just painted Ron Perlman red. The biggest tell tale sign of this is when you are looking at his arms. They seem like twigs compared to how he looks in the rest of the movie, and when he lifts his rock hand the arm/wrist that supports it looks too thin to actually be able to support it. See more »
You know you're not watching a formulaic comic book film when one of the highlights is a drunken rendition of "Can't Smile Without You" by Hellboy and Abe Sapien. "Hellboy II: The Golden Army" is a more confident, assured outing than the first film and while it does not draw from Mignola's comics for its plot it is perhaps better off for it, lacking the usual burden of comparison and expectations. "The Golden Army" is more fantastical than the first film and is less sci-fi oriented but this is the sort of thing Del Toro does exceptionally well as a writer. He never lets the fantasy become the focus of the film, instead concentrating on characters and delivering action scenes that can only be described as, forgive the crass immaturity, kickass.
As entertaining as many comic book-to-film adaptations are it is a rare event when one can call one of these films a true artistic achievement. I am convinced without a shadow of a doubt that Guillermo Del Toro's entire career has been leading up to this film, particularly regarding his work as screenwriter here. The comedy feels less forced and is worked incredibly well into the script here, so much so that it doesn't feel remotely unnatural when the scene of comic drunken singing leads directly without a break into one of the film's most intensely dramatic sequences. Del Toro's handling of character has never been better, not even with "The Devil's Backbone", which is still my favorite of his films, and his sheer skill and ability when it comes to telling a fairytale-esquire fantasy is astonishing, as proved in the prologue to this film. In short this is Del Toro at the top of his game and providing artistry the likes of which we rarely if ever see in summer blockbusters. It's only fair that an astonishingly brilliant comic like "Hellboy" by an astonishingly brilliant artist like Mike Mignola is adapted this well and by someone as talented at what they do as he is.
How refreshing it is, a week after the release of "Hancock", which to me epitomizes everything wrong with action film-making today, that we get "The Golden Army" which features hands down some of the finest action scenes we have ever seen in this sort of film. Just stunningly beautiful, well-shot, well-crafted, the sort of thing that leaves one wondering how much time and effort went into it and endlessly thankful that some really talented people went to the trouble of making the film.
The film is generally just superb on a technical level. Why am I even saying this? Of course it is. Danny Elfman composing, Guillermo Navarro serving as cinematographer, top-notch editors, fantastic special effects wizards. It's a world-class crew that made this film. I shouldn't be surprised at its quality but "The Golden Army" really just floored and astonished me with how good it is. The cast is also excellent, proving once again that you don't need 'big names' to carry a movie. Just about everyone here is excellent, particularly Perlman with another excellent turn as Hellboy and the underrated Selma Blair as Liz Sherman.
"Hellboy II: The Golden Army" provides essentially everything a Del Toro or Mignola fan would want. I imagine it will entertain and charm many outside those circles as well with its fantastic action sequences, engaging characters, and wonderful sense of humor. I would personally go as far as calling "Hellboy II: The Golden Army" one of the top five or so comic book movies ever made.
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