In the underbelly of the Parisian criminal world, the Police are frustrated by a gang committing a series of violent robberies. Leo Vrinks and Denis Klein are two cops seeking promotion, ... See full summary »
The story of Jacques Mesrine, France's public enemy No. 1 during the 1970s. After nearly two decades of legendary criminal feats - from multiple bank robberies and to prison breaks.Written by
Mesrine, Bauer and Dallier are near a newsstand. Beside, there is a street plan in which a Ford Ka is reflected. A bit later, the three men get into a car which is parked 20 m in front of a Renault Express. Both these cars were launched later than 1970s (1986 for Renault, 1996 for Ford). See more »
La journaliste interview:
Why are you doing this?
Because I don't like laws.
I don't like the laws and I don't want to be a slave of the alarm clock my whole life.
I don't want to spend my entire life dreaming. I don't want to always think how I have to work half a year just so I could buy some thing.
La journaliste interview:
What do you expect from your life? Recognition? Money?
What a question! Money, money, money... all of you just keep talking about it, always the same. But I'm completely different.
[...] See more »
Mesrine was both a Reniassance man and a sociopath. H cooks wonderfully, loves fine wine and good cigars, as well as fancy women. But he is absolutely ruthless. When he creeps into the hospital to see his dying father, you wonder "What went wrong?" Was the father too strict? Not strict enough? Mesrine obviously had a death wish as he courts his death with flair and imagination.
He loves the media, and is loved in return. Unlike the complicit media who lied about Pat Tillman's death at the hands of members of his own company and infuriated his family, Mesrine and Paris Match are on the same page. To see how gentle he is with the family he takes hostage, and how he doesn't desert the other crook who has been shot in the leg, shows you that this murderer has many facets to his character.
As I looked up the history of the right-wing writer they leave for dead, I was amused to see a video of him from his hospital bed, and he is very handsome, much more so than the bland actor portraying him. Mesrine, au contraire, is much handsomer than the real Mesrine. But , like many movies about famous people, I am left empty wishing there was more substance to the causal factors in his life.
Nonetheless, I am buying both to see again.
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