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Breakfast on Pluto (2005)

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In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.

Director:

Neil Jordan

Writers:

Neil Jordan, Pat McCabe (as Patrick McCabe) | 1 more credit »
Nominated for 1 Golden Globe. Another 6 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cillian Murphy ... Patrick 'Kitten' Braden
Morgan Jones Morgan Jones ... Building Site Worker
Eva Birthistle ... Eily Bergin
Liam Neeson ... Father Liam
Mary Coughlan Mary Coughlan ... Housekeeper
Conor McEvoy Conor McEvoy ... Young Patrick Braden
Ruth McCabe ... Ma Braden
Charlene McKenna ... Caroline Braden
Seamus Reilly Seamus Reilly ... Lawrence
Peter Owens Peter Owens ... Butcher
Emmet Lawlor McHugh Emmet Lawlor McHugh ... Young Irwin
Bianca O'Connor Bianca O'Connor ... Young Charlie
Paraic Breathnach Paraic Breathnach ... Benny Feely
Pat McCabe Pat McCabe ... Peepers Egan / Schoolmaster (as Patrick McCabe)
Owen Roe ... Dean
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Storyline

A young transwoman, Patrick "Kitten" Braden, comes of age in the 1970s. She leaves her Irish town, in part to look for her mother and in part because her transgender nature is beyond the town's understanding. She's taken in by a rock band, falls for the lead singer, has brushes with the IRA, is arrested by the London police, works in a peep show, and poses as a survey researcher for the phone company. Throughout, her nationality and her nature put her at great risk. In her search for her mother, she makes surprising discoveries of friendship and family. But, will she survive? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Same world, different planet!

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for sexuality, language, some violence and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK

Language:

English | Irish

Release Date:

6 January 2006 (USA) See more »

Also Known As:

Desayuno en Plutón See more »

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Box Office

Opening Weekend:

£199,154 (United Kingdom), 15 January 2006, Limited Release

Opening Weekend USA:

$33,279, 20 November 2005, Limited Release

Gross USA:

$828,699, 26 March 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the DVD commentary, director Neil Jordan says that when he came from Ireland to London in the 1970s he was sleeping rough for a while, just like the lead character in the film. See more »

Goofs

In the scene where Patrick is asking the construction workers in London about the whereabouts of his mother, you can see a few modern-day cars pass by in the background, under the bridge. See more »

Quotes

Patrick "Kitten" Braden: Not many people can take the tale of Patrick Braden, aka St. Kitten, who strutted the catwalks, face lit by a halo of flashbulbs as "oh!" she shrieks, "I told you, from my best side darlings."
See more »

Crazy Credits

With thanks to the people of Callan Co., Kilkenny See more »

Connections

Referenced in Supertwink (2006) See more »

Soundtracks

Zadok the Priest
(1727)
Written by George Frideric Handel (as Handel)
Performed by Huddersfield Choral Society with
Northern Sinfonia of England
(p) 1991 ASV Records
Licensed courtesy of Sanctuary Records Group Ltd.
See more »

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User Reviews

 
Extraordinary film from Mr. Jordan
3 October 2005 | by lrpuliniSee all my reviews

I saw this on 10/2 at the NYFF-we got last minute tickets right up front. Neil Jordan was present at Q&A-an absolute treat. The film was simply wonderful from beginning to end--charming, emotionally satisfying, delicately nuanced and very powerful. The acting was sublime, as in all Jordan films. Cillian Murphy is so impossibly gorgeous and yet so fearless and skillful an actor, who uses his physicality to his supreme advantage. The Irish gang of three-Gleeson, Neeson and Rea, who usually appear in Jordan's films, were superb and touching as usual. There were wonderful casting touches--Bryan Ferry as a sicko, Gaivn Friday as a gay rockabilly, etc. The film was audacious, swerving mightily between broad comedy and grim tragedy. The most arresting elements were the amazing customes and the choice of 60s and 70s songs, something Jordan discussed in detail during the Q&A.

I urge all cineastes to catch this one-you will be amazed and deeply satisfied.


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