On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
In Seattle, the successful forensic psychiatrist and college professor Jack Gramm is in evidence since he was responsible for the condemnation of the serial killer Jon Forster, influencing the jury to sentence him to the death row. Jon accuses Jack of manipulation, inducing one witness and sister of one of his victims to testify against him. On the eve of Jon's execution, Jack receives a phone call telling him that he has only eighty-eight minutes of life, while a killer is copycatting Jon, killing women with the same "modus-operandi" and is investigated by Seattle Slayer Task Force. With the support of associate Shelly Barnes, an FBI agent, his friend Frank Parks, and his assistant Kim Cummings, Jack investigates some weird and problematic students, a security guard of the campus and the woman with whom he had one night stand.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
About 45 minutes in to the film, Jack answers a cellphone left hand. In the next shot, it's in his right hand, then back to his left. See more »
Look at me. Look at the kite.
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There are at least two BluRay versions that end with Jack telling Forster he has 12 hours to live. So both without the scene afterwards about Forsters death. The run times of these two versions differ by several minutes (~1:47 vs ~1:51). In the longer version, while some scenes are actually cut drastically, many other scenes contain a lot of extra dialogue. The differences in scenes are thus bigger than the differences in runtime. See more »
Get It Poppin
Written by Richard L. Garcia (ASCAP), Rosel Anton Minter (ASCAP)
Performed by PMG
Published by Hannah Sam Music (ASCAP) / Smothered and Covered Music (ASCAP) / Fat Frequencies (ASCAP)
Courtesy of d2 Music See more »
I will not discuss any of the plot point of the film, as I do not wish to spoil any "surprises", but I will say that it's a sad state of affairs that a movie of this caliber is considered even nearly good. The characters are one dimensional, the plot trodding on all-too-familiar themes, and the acting is abysmal. Al Pacino, who used to be a fine actor, sleep walks his way through this movie and delivers the exact same performance as he did in "Two For The Money", "Insomnia", "People I Know" and "Simone" (I will admit I liked him in "Merchant of Venice"). This movie is not superb...it's not even good. Al, this is a wake up call to please return to the realm of acting instead of collecting the first paycheck that comes your way.
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