After discovering a sailboat just offshore containing former hatch oversee Desmond, Jack and Sayid come up with a plan to confront "The Others" and hopefully get Walt back. Meanwhile, Eko and Locke ...
Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside.
The past, present, and future lives of surviving Oceanic Flight 815 passengers are dramatically intertwined as a fight for survival ensues in a quest for answers after crashlanding on a mysterious island. Each discovery prompts yet more secrets, as the hastily-formed colony search for a way off the island, or is this their home?Written by
The series began development in the summer of 2003 when Lloyd Braun, then the Chairman of ABC, during a meeting of the network's executives pitched the show as a cross between the film Cast Away (2000) and the popular reality TV show Survivor (2000). "Lost" was one of dozens of ideas to emerge from the meeting that got circulated to Hollywood agencies and producers to see if any attracted any interest. A few weeks later, veteran producer Aaron Spelling said he wanted to do "Lost" and ABC ordered a pilot script from a Spelling writer. When the script arrived in December, Braun hated it. A rewrite in January was even worse. Braun then contacted J.J. Abrams, whose series Alias (2001) was a hit for the network. Although initially hesitant, Abrams gave it a go in collaboration with Damon Lindelof. Their script was greenlit, but because it had been commissioned so late in the 2004 development cycle it was under very tight deadlines. Ironically, before the pilot aired Lloyd Braun was sacked by ABC's parent company, Disney - for greenlighting such an expensive and risky project. See more »
James "Sawyer" Ford is a career con man with an extensive criminal record, which is covered throughout the series. However, everybody except New Zealanders must get a visa to travel to Australia, and Sawyer never would have been approved. The "character requirement" prevents people with substantial criminal records or known criminal associations from entering Australia. See more »
Chilling, atmospheric and addictive if the writers can weave all the clues and ideas together in the end, this will probably be stapled as the best show ever in television
While originally reluctant to jump on the bandwagon of watching "Lost", I accidentally caught one episode at the beginning of season 1the one with the polar-bearand it has had my undivided attention ever since. The show, that is. Not the polar bear. So bear (heh) with me while I throw out as much rambling, semi-coherent praise as I can muster.
"Lost" takes a simple idea of a passenger flight full of people crashing onto a desert island, and gradually adds extraordinary depth to its premise by exploring each character deeply and unflinchinglywhat drives them, who are they? Where did they come from? It soon becomes clear that the island upon which they are stranded acts as a common denominator for many things in their lives, whether they're running away from something (Sawyer and Kate among others) or getting in touch with spirituality (Locke, Claire). But "Lost" also zooms in on the island itself and the mysterious horrors that it houses... and they all seem to be strangely connected.
While television actors are not exactly known for their subtlety or dazzling acting abilities, most of the cast of "Lost" are, in truth, spectacular actors for their respective parts, projecting heart and humour in their performances. There's also a multitude of eyecandy, but not generally of the plastic Hollywood kind as most TV shows. The characters all feel very real and they are extremely compelling to watch. Their interactions rarely fall prey to predictable sappiness, petty arguments or cheesy melodrama (although they are annoyingly secretive) these people are first and foremost trying to survive and whatever relationship appears is treated secondary to action. The realism of these characters facilitate an already well-sculptured plot.
About this plot... Imagine a tree as the template plot, then the branches as subplots (in this case, one branch for every character) well, Lost adds twigs to each branch and then tiny twigs to those twigs as other story lines. If you're a brother/sister to one of the main characters in the flashbacks, you will get your own storyline. If you're a DOG you will have your own storyline. Unless the writers manage to weave them all together into some glorious culmination in the end, they are setting themselves up. I am more than a little worried there will be some disappointing cop-out to this show, as I'm sure most people are.
But assuming the writers do pull this off, "Lost" is possibly the best show ever to hit television.
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