The "normal" suburban life for a group of close-knit housewives takes a dark turn when one of their closest friends mysteriously commits suicide. Now while trying to deal with their own hectic problems and romantic lives, each year brings on a new mystery and more dark and twisted events to come. Life behind closed doors is about to be revealed as suburban life takes a funny and dark turn.Written by
Dana Delany auditioned for the role of Bree, and was offered the part. After thinking about it, she declined the role. Her reasoning was that she had played a similar role in the soap Pasadena, and felt she would be repeating herself. See more »
Susan's last name is at first pronounced "Meyer" occasionally by all characters, before it eventually changes to "Mayer" for the second season onward. See more »
Hey, Gabby, aren't we breast feeding?
Oh, honey, if you could swing that one, more power to ya.
See more »
In the second season the shortened version of the credits was shown from episode 2.07 to episode 2.11. See more »
I'm gonna address something in a serious tone, that is way unlike the premiere of Desperate Housewives. Television, has gotten entirely too serious. It has! Even its comedies can be horribly depressing.
As I sat watching the premiere of Desperate Housewives, I found myself doing something I haven't done in quite some time, and that is "smiling," No, I mean, a huge smile, a GRIN of thankfulness.
I have a theory that most pilot scripts suck, because they are establishing a series, I have hardly ever liked a PILOT script, even if they do their job well which is establish character and the mood of the show. The great story telling comes after the pilot.
The only good pilot I have seen in recent years, was the pilot for ALIAS (brilliant) now a week ago, I saw the PILOT for LOST (edge of your seat good). But even those were topped by the intricate, hysterical, amazing pilot script for DESPERATE HOUSEWIVES. If the writers are out there, reading this, 1. Thank You. 2. why are you reading this, get to writing more of this wonderful show.
They also have gotten a superb cast of women. OLDER WOMEN! WOMEN WOMEN, not some 20 something year olds with bland looks on their faces and pouty lips! But Talented, amazing, beautiful, WOMEN (and I'm a guy in my 20's) I appreciate that... WOMEN over 40 ROCK! I speak of course of Felicity Huffman, who can do more with one line of Dialogue, than any other actress I know. This show, brings also the RETURN of Terri Hatcher, THANK GOD! It's about TIME!! And it also brings me, MARCIA CROSS, an actress who should have been given an EMMY for her brilliant, heartbreaking work in EVERWOOD last season.
The producers/Direction/showrunners of the show, have established a look for the show. it's American BEAUTY on ACID. A gorgeous use of color and cinematography, of scoring, and well, I mention it again, because it's so important... GREAT WRITING!
On every level, the PILOT for DESPERATE HOUSEWIVES impresses. It has bite, humor and heart. I hope that it will be around for a long time. But even this one episode is enough to remind people everywhere, that network television can still be FUN!
231 of 293 people found this review helpful.
Was this review helpful to you?
| Report this