New Yorker and new doctor Zoe Hart accepts an offer from a stranger, Dr. Harley Wilkes, to work in his medical practice in Bluebell, Alabama. She arrives to find he has died and left half the practice to her in his will.
The "normal" suburban life for a group of close-knit housewives takes a dark turn when one of their closest friends mysteriously commits suicide. Now while trying to deal with their own hectic problems and romantic lives, each year brings on a new mystery and more dark and twisted events to come. Life behind closed doors is about to be revealed as suburban life takes a funny and dark turn.Written by
Season seven episodes that have Stephen Sondheim song titles or lyric references as their show titles (Except where noted): - 7.1: Remember Paul? (Lyric Line from the song "Getting Married Today" from Company). - 7.2: You Must Meet My Wife (Song Title From A Little Night Music). - 7.3: Truly Content (Song Title from Passionella). - 7.4: The Thing That Counts Is What's Inside (Lyric Line from the song "Ah, But Underneath" from the London production of Follies). - 7.5: Let Me Entertain You (Song Title from Gypsy. Music by Jule Styne). - 7.6: Excited and Scared (Lyric Line from the song "I Know Things Now" from Into the Woods). - 7.7: A Humiliating Business (Lyric Line from the song "Every Day a Little Death" in A Little Night Music). - 7.8: Sorry Grateful (Song Title from Company). - 7.9: Pleasant Little Kingdom (Song Title. Cut from Follies). - 7.10: Down the Block There's a Riot (Lyric Line from the song "What More Do I Need" from Saturday Night). - 7.11: Assassins (Title of Show). - 7.12: Where Do I Belong? (Song Title from the unproduced musical Climb High). - 7.13: I'm Still Here (Song Title from Follies). - 7.14: Flashback (Song Title from Passion). - 7.15: Farewell Letter (Song Title from Passion). - 7.16: Searching (Sequence Title from Sweeney Todd: The Demon Barber Of Fleet Street). - 7.17: Everything's Different, Nothing's Changed (Lyric Line from the song Sorry-Grateful from Company). - 7.18: Moments In The Woods (Song Title from Into The Woods). - 7.19: The Lies Ill Concealed (Lyric Line from the song Could I Leave You? from Follies). - 7.20: I Will Swallow Poison On Sunday (Lyric Line from the song Kiss Me from Sweeney Todd: The Demon Barber Of Fleet Street). - 7.21: Then I Really Got Scared (Lyric Line from the song I Know Things Now from Into the Woods). - 7.22: Buried Sweetly (Lyric Line from the song Johanna from Sweeney Todd: The Demon Barber Of Fleet Street). 7.23: One Day I'll Steal You (Lyric Line from the song Johanna from Sweeney Todd: The Demon Barber Of Fleet Street). See more »
Several times through out the seasons, when the camera is filming from the outside of a house into the front door, it can be noticed that the interior that is visible from the shot is different from the interior when filming on the inside of the house. See more »
[Rex has just told Bree about his masochism]
For God's sake, you promised to be supportive.
What do you want me to say? My husband likes to wear metal clamps around his nipples. Hooray?
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In the second season the shortened version of the credits was shown from episode 2.07 to episode 2.11. See more »
Enjoyable for both sexes due to its witty dark humor
I had approached "Desperate Housewives" with a certain amount of suspicion as I was never a fan by any means of "Sex and the City" and thought this would basically be the same sort of show. In some ways, it is. Men are still represented the same way -- to be blunt, idiots -- and it's still very targeted towards females.
However what I found is that "Desperate Housewives" contains a very funny satirical, dark edge to its humor that elevates it above "Sex and the City" and some other such shows that were previously on television... as a result it can be enjoyed by men and women -- if you like dark suburban comedies such as "The War of the Roses" and "The 'burbs" you'll probably love this.
It centers around a neighborhood of housewives who are trying to figure out who may or may not have killed one of their friends, a woman who supposedly committed suicide.
Meanwhile the show focuses on their relationships, trials and tribulations, mainly the character of Teri Hatcher, who is the one we are meant to feel the most sympathy for.
Although "Desperate Housewives" is rather silly at times and perhaps a bit too smug and clever for its own good, I find it very easy to watch and one of the better entertainments available on television at the time. I'd recommend it to anyone who can appreciate absurd dark humor set in a realistic environment. It's just good fun!
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