One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
16 year-old Dario got away from home, running from his familiar hell. Luismi, his unconditional friend, Caralimpia, a poor loser in a winners suit and Antonia, an old lady who collects ... See full summary »
An escaped prison convict attempts to retrieve a loot hidden years ago in a lonely village. Sinister elders, strange disappearances, spirits, a peculiar priest and even the Archpriest of ... See full summary »
Xosé Manuel Olveira 'Pico',
Evelio, a physical education teacher, rejects the society in which he has lived, which is why he raises the great human questions about the meaning of life and tries to find a doctrine to ... See full summary »
José Luis Borau
Rafael Álvarez 'El Brujo',
Josep Castillo Escalona
Leo is immediately set adrift by his new found responsibilities as a single parent, a feeling that is made doubly distressing when Dafne, herself understandably confused and heartbroken by ... See full summary »
Juan Diego Botto,
José Luis Gómez,
A warrior from the 16th Century, the first female university student from the 19th Century, and a paramedic from the 21st Century join a secret agency to prevent people from changing Spanish history using time-traveling doors.
Cayetana Guillén Cuervo,
The Night of the brother ("La Noche del Hermano") is a chiaroscuro tale in which the characters' not always explicit feelings cover the gamut from darkness to light through the thin line between love and fear. Because the events of life are often less astonishing than the way they are shown to us.Written by
Producciones La Iguana s.l. (es)
Difficult to classify, the film is made up with the best of elements from genres such as film noir and post existentialist western. Beautifully designed as a reflection of good and evil, it portraits a delicate metaphorical drama about fate and the right to accept it or not. Determined to stay away from empty modern trends, the film has elements of the Greek tragedy mixed with those of a dark psychological thriller while searching for the roots of good old cinematic narration. The story is full of echoes of considerable strength, a poignant atmosphere that springs from the underground raw violence that dominates the landscape it portraits and the characters that inhabit it. It combines subtlety and intensity with performances that reflect efficiently pain and sentimental contradiction. It is, no doubt, a rare and pure beauty for these times.
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